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Il mondo dentro

19 Novembre 2012 Nessun commento

Hernandez Art Gallery

Presenta la mostra fotografica

galleria hernandez Teresa CarreñoIl mondo dentro

Della fotografa Teresa Carreño

Inaugurazione 27 Novembre 2012, ore 18,30

la mostra rimarrà aperta fino a domenica 16 Dicembre 2012

La Hernandez Art Gallery ha il piacere di invitarvi all’inaugurazione della mostra fotografica “Il mondo dentro” dell’artista venezuelana Teresa Carreño, martedì 27 novembre 2012, dalle ore 18,30 alle 21,00, in via Copernico 8, Milano.

La mostra apre il 28 novembre, durante la settimana che segue il giorno 25 novembre Giorno Internazionale Contro la Violenza alle Donne: una coincidenza voluta, dato che il progetto di Teresa Carreño può essere inteso anche come una riflessione critica e una denuncia contro la violenza.
Teresa Carreño non accetta infatti di osservare con indifferenza i drammi che hanno segnato la storia contemporanea e la vita delle donne. Per questo, decide di guardare e vivere dal di dentro le sofferenze e le contraddizioni del mondo, creando immagini in cui lei stessa entra nella storia e la rivive con il proprio corpo attraverso complesse messe in scena. L’autrice, che ha avuto un importante passato come fotoreporter, nella serie Arte & Cronaca ricostruisce le più celebri immagini degli avvenimenti accaduti dopo la caduta del Muro di Berlino (grazie anche alla partecipazione attiva dei suoi studenti dell’Istituto Europeo di Design e della scuola Riccardo Bauer). Dà il suo volto e il suo corpo a una terrorista cecena uccisa dal misterioso agente chimico usato dalle forze speciali russe in quella che è stata definita la “Strage al teatro Dubrovka”, in cui persero la vita anche più di 129 ostaggi a causa degli effetti letali di tale gas. Si trasforma in una madre che accarezza il figlio ucciso nel Massacro di Beslan, nell’Ossezia del nord. Impersona l’iracheno incappucciato e fotografato dai suoi stessi torturatori nella prigione di Abu Ghraib a Baghdad. La sua ricerca dunque la porta “dentro” il dolore degli altri e non più solo “davanti”. Teresa Carreño ci invita a interrogarci, a ricordare tali eventi drammatici, restituendo una nuova vita, una nuova intensità a quelle stesse “immagini simbolo” con cui a suo tempo erano stati raffigurati sulle pagine dei principali giornali internazionali.

Nelle altre due sue ricerche presenti in mostra, “Riflessi” e “Mappa mondo”, l’autrice di nuovo si autoritrae, questa volta però per trasformare il suo corpo in un “corpo politico”, che rivela e assume su di sé le contraddizioni contemporanee. In “Mappa mondo” disegna le carte geografiche sulla sua stessa pelle, offrendoci una visione politico-sociale del mondo. Nella serie “Riflessi” troviamo invece immagini che riflettono un mondo dominato dall’ansia del consumo, dalla cultura dell’intrattenimento, da una violenza sempre più pervasiva. In una fotografia e in un’opera video, ad esempio, la vediamo sola, fragile e impotente, schiacciata da una pioggia di dollari, simbolo dello strapotere finanziario che, come un nemico invisibile, opprime i popoli nel mondo globalizzato. Volutamente teatrali, poetiche e stranianti, le immagini di Teresa Carreño rivendicano così la funzione sociale e politica del mezzo fotografico.

Come scrive María Teresa Boulton: “Lo spazio della bellezza, perennemente inseguito da Teresa Carreño, va incontro a un continuo 

perturbamento, a un’inquietudine senza tregua. La Carreño vorrebbe trasportare le pagine della cronaca nell’ambito museale e della riflessione culturale… La bellezza non è soltanto una questione di forma, ma anche di essenza, d’interiorità, di tensione verso un mondo migliore. (da un testo di)

La Carreño, di origini venezuelane ma residente a Milano, da anni collabora con le più importanti testate italiane e ha pubblicato con case editrici quali Charta ed Electa.

Il suo lavoro “Arte & cronaca” è stato recentemente esposto al padiglione Italia della 54ª esposizione internazionale d’Arte della Biennale di Venezia, (iniziativa speciale per il 150° anniversario dell’Unità d’Italia, Torino 2012) e alla manifestazione “Imagen y Cuerpos Politicos” a cura del filosofo e teorico della fotografia francese François Soulages, Centro Studi latinoamericano, Caracas (Venezuela).

La Hernandez Art Gallery rimarrà aperta dal martedì alla domenica dalle 10:00 alle 19:30.

Per maggiori informazioni rivolgersi allo +39 02 67490252 – 3385805011 – 3666509665.

A cura di:  Gigliola Foschi

Ginni Rometty on the woman behind the Most Powerful Woman

29 Ottobre 2012 Nessun commento

Ginni Rometty, CEO and now Chairman of IBM, is Fortune’s 2012 Most Powerful Woman. But like many of the people on that list, there was an even more powerful woman behind her mom.

Goldman Sachs' Lloyd Blankfein, IBM's Ginni Rometty and Fortune's Andy Serwer backstage at MPW.

Goldman Sachs’ Lloyd Blankfein, IBM’s Ginni Rometty and Fortune’s Andy Serwer backstage at MPW.

A single mother who hadn’t finished college, and struggled to raise four children, Rometty’s mom led by example. “Mom taught us by her actions,” she said, about watching her work at night so she could go to school by day. “What she taught us she never said. Actions speak louder than words and to this day I think about that. Also, I learned that nothing’s insurmountable. I will be forever grateful to her.”

Asked by Fortune Senior Writer Jessi Hempel to reflect on her first year at the helm, Rometty called it “humbling,” but says she’s been able to crystallize how she sees the long-term—which for a company like IBM (IBM), means a very long time indeed. “I believe that the idea of strategic beliefs may be more important than strategic planning when thinking about how you keep the long view,” she said. “Clients say what’s your strategy, and I say, ask me what I believe first. That’s a far more enduring answer.”

One thing she believes strongly is that we are entering a new era of cognitive computing. The first era of computing was about tabulating, followed by the era of programming. “In this third era,” Rometty says, “you won’t be able to program a machine for everything it should know. These machines will have to learn what is right and what is wrong. That’s cognitive.”

The best example of this era is IBM’s own Watson, the Jeopardy-playing computer that became a global celebrity last year. So what’s Watson doing now? “Going to medical school,” says Rometty, who says that the computer has, amazingly, “ingested 80% of the world’s medical data.” Starting with oncology, Watson is now actually able to consult with doctors on making diagnoses. “It’s almost as if he’s talking to a colleague,” says Rometty. “We shouldn’t even call it a machine.”

For now, Rometty has 400,000 employees to manage. One wonders after hearing about Watson, how many of them will be human beings in the years to come.


 By Jennifer Reingold
Source: http://management.fortune.cnn.com 

A universal language for robots

28 Ottobre 2012 Nessun commento

– Tired of waiting for the day when an android will show up and start doing your laundry, like Rosie the Robot on “The Jetsons”?

So is Scott Hassan. The Silicon Valley entrepreneur and early Google architect is trying to fast-track innovation in the personal robotics world with his 50-employee company, Willow Garage. Their first robot, the PR2, hit the market in September.

Hassan hopes the PR2 will give the robotics community what the desktop computer provided programmers in the 1970s: a standardized tool for creating all sorts of applications.

While industrial robots have thrived for decades, home and office robots have largely remained a distant science-fiction dream. Why? Personal robotics engineers typically build their own machines from scratch, sinking a ton of time and money into their robots before they can even think about programming them to do anything clever, like playing pool or making pancakes. And then, if a personal robot hits the mainstream — like Honda’s popular Asimo — the codes and schematics remain carefully guarded secrets.

The PR2, on the other hand, is equipped with an open-source software code, called ROS for “Robot Operating System,” which lets users share knowledge and build on each others’ work. It also comes with heavy-duty computers, wheels, arms, cameras, range finders and touch sensors.

“People can stop reinventing the wheel, and they can start doing new things right away,” says Keenan Wyrobek, co-director of Willow Garage’s personal robotics program. “It’s a huge unmet need for the industry.”

Researchers have already trained PR2 robots to perform a number of new tricks, including sorting socks, fetching beer, playing pool, tidying up, flipping pancakes and playing “With or Without You” by U2 on a keyboard and snare drum.

Last spring, Willow Garage spent $4.5 million giving away PR2 robots to researchers at 11 universities, including Stanford, the Massachusetts Institute of Technology and the University of California, Berkeley, and to Bosch, the German industrial giant. The think-tankish company has also paid stipends for dozens of robotics engineers to live in Menlo Park, Calif., for two to three months at a time, learning ROS and working on PR2 projects.

That’s all on top of the tens of millions of dollars it took to design and build the PR2, which officially went on sale to researchers two months ago. Each robot’s price tag is $400,000. The price drops to $280,000 for developers that have a demonstrated history of contributing to open source communities.

Neither price tag allows the company to come close to turning an immediate profit.

Willow Garage is focused on the long haul, Wyrobek says. “We’re an atypical company,” he explains. “Our founders see plenty of opportunity in five to 10 years in the industry, if we can get it started.”

For now, they’ve certainly got access to seed capital. Hassan, Willow Garage’s founder, helped write the initial software code for Google with Sergey Brin and Larry Page at Stanford University. He later started eGroups, an e-mail list management website, which was bought in 2000 by Yahoo for stock worth $413 million. Hassan’s personal wealth has been estimated at hundreds of millions of dollars — maybe billions.

While he could afford to bankroll the company on his own, outside observers believe he’s got folks lining up to help.

“They don’t need a lot of money, but my guess is they have a lot of investors interested,” says Aaron Saenz, a blogger who writes about robotics for SingularityHub.com. He points out that some 400 Silicon Valley and Google millionaires showed up to watch Hassan unveil the PR2 beta version in May.

Hassan is mum on financial and most other matters, declining most requests for interviews — including one for this article. “He’s the ‘close-the-door-I’m-programming’ guy,'” Wyrobek says.

Setting the short-term future aside, Willow Garage wants to tap the power of crowdsourcing to grow its own R&D department exponentially. Its vision is to spur smart people around the world to work together. That puts Willow Garage at the center of a gigantic spider web of sorts, ready for the day that Rosie the Robot could become a reality.

“They’re not naïve to the fact that eventually they’re going to be in a wonderful position to make tons of money,” Saenz says. “They’re constantly at the cutting edge. When the opportunity arises, whatever it is, they will be there.”

 

By Jennifer Alsever
Source:  http://money.cnn.com

The Entrepreneur Who Captured the Record-Breaking Space Jump

28 Ottobre 2012 Nessun commento

Last weekend, millions of people tuned in online to witness theRed Bull Stratos project, in which Austrian skydiver Felix Baumgartner ascended to the edge of the atmosphere in a helium balloon and jumped — plummeting 128,000 feet back to earth and breaking the sound barrier as he fell.

What you might not know is the name of the entrepreneur who made it possible for the world to watch Baumgartner’s historic feat: Jay Nemeth of FlightLine Films. He founded the company in 2007 to provide aerospace cinematography — before there even was demand for it.

We caught up with Nemeth to find out how he became involved in this incredible project, and how he started up in a new market. What follows is an edited version of our exchange:


How did you become involved in the Red Bull Stratos project?

Nemeth: In 2008, I was working on Red Bull Rampage, an extreme mountain bike competition, doing aerial photography out of a helicopter. After a day of filming, I was having dinner with the producer and he asked what other projects I had going. I was reluctant to tell him about the new direction for my company, providing film and imaging services to the private space industry, because it sounded kind of nutty. He told me that Red Bull was working on a project that would take place at the edge of space, and that they were looking for someone that knew how to film these types of things.

How do you prepare cameras to work in space?
Nemeth: We were able to “space rate” some of the equipment by changing out components that would fail in a vacuum, but the larger cameras used fans for cooling, so I designed special housings that use dry nitrogen gas and heat exchangers to keep them in check. I decided to build my own [ground-based optical trackers].

Your cameras couldn’t fail. As a business owner, was this worth the risk? 
Nemeth: It was a very methodical process of design, engineering and testing. We would constantly test things in chambers that reproduced the vacuum and cold of space. We would push the parameters of time, temperature and other conditions to beyond what we would encounter on the actual mission.

I even designed the system so that if we lost the ability to remote control the components, Felix could cycle breakers in the capsule to start all of the recorders. We had simulated the flight so many times that this incredibly complex flying TV studio was as familiar to us as driving a car. We gave it no choice. It was going to work.

What advice do you have for other entrepreneurs in cutting-edge fields?
Nemeth: Identify something new that no one is doing and get your part ready. You may be ahead of your time, but be patient and wait for the industry to catch up to you. If you position yourself correctly, you’ll be their first choice, and possibly their only choice.

As they say in aviation, you want to be “number one on the runway.”

 

By:  BRIAN PATRICK EHA
Source: http://www.entrepreneur.com 

Serial Entrepreneur Gurbaksh Chahal on Finding the Courage to Start a Business

28 Ottobre 2012 Nessun commento

Fear is your worst enemy – risk is your best friend. The best thing about the unknown is the meaning itself: If success were guaranteed, the journey wouldn’t be the same. And the journey is actually what inspires and shapes us to understand that success isn’t supposed to be easy, it’s supposed to be worth it.

gurbaksh-chahal-on-finding-courage

At 16, when I became an entrepreneur, I didn’t really grasp the meaning of fear. But, over time I acknowledged it as an entrepreneur’s worst enemy. The truth is you don’t know if you’ll be successful. But if you consume yourself with thoughts of failure, you’ve already lost without even trying.

I know too many people who have big ideas and big dreams, but are stuck in fear or the dream itself. Don’t get caught in that trap. The only way to achieve your dreams is by actually doing something about them. Decide whether you want to be a doer or just a dreamer. Start by spending 100 percent of your energy on just doing something – taking that first step. The natural byproduct of that is you’ll be on your way to step two.

Next, the most important thing you’ll need to conquer your fears is passion. Without passion the first step will always be a daunting one. I’ve found that positive energy leads to positive outcomes. When I was starting out, I researched the advertising and media space and started building something almost immediately that I thought would be attractive to advertisers.

Thomas Edison didn’t get the light bulb right on his first try, and chances are you won’t build the next great company or product on your first try either. But Edison ultimately achieved success by rapidly iterating and trying lots of ideas. You can start by building something small as a test to see if it gains traction.

When I started ClickAgents, I tried a lot of ideas and pitched them to people in the marketplace. I used the external feedback to validate the ideas that were working and quickly improve them. The ones that were not getting good feedback were pushed aside. One of the lessons from iteration is to keep moving ahead quickly, even when the idea is not perfect. There is no such thing as a perfect product or perfect decision. However, speed in decision making and product iteration is as close to perfection as we will get.

Finally, be ready to jump in with both feet. Many people believe they can take that entrepreneurial leap and still keep their day job, but would you be happy if you achieved only 50 percent of your goal — half a dream? If you don’t go all in and let your intuition guide you on which risks to take, then I say don’t go in at all. It’s all or nothing. The road to success can be described as a painful journey with the highest reward. It’s never easy, but it’s always worth it.

 

BY GURBAKSH CHAHAL
Source: http://www.entrepreneur.com 

God Save The Pussy – Condoms

18 Ottobre 2012 Nessun commento

Dentist drill plays music to relax young patients

15 Ottobre 2012 Nessun commento

A dentist in Indonesia has created a musical drill that aims to comfort kids undergoing dental treatment.

Medical procedures aren’t often the most pleasant of experiences and helping a patient to feel at ease can make all the difference, especially for children. We’ve already seen the Caring MR Suite enable those undergoing brain scans to customize their environment, and now a dentist in Indonesia has created a musical drill that aims to comfort kids undergoing dental treatment.

Dr Dhanni Gustiana

Developed by Dr Dhanni Gustiana, a practicing dentist in the Central Java province, the modified drill is fitted with an mp3 player and flashing lights, while toys are attached to the handle. According to reports, a small speaker plays music directed towards the patient, with the sounds becoming amplified for the child when their mouth is open. The dentist has loaded some popular tracks onto the mp3 player, although children can request to play their own music. The sounds mean that the child cannot hear the high-pitched wail of the dentist’s drill and have a distraction to help them forget about the procedure taking place. This helps both the patient to feel comfortable and the dentist to carry out their work more easily. Although the device is currently a one-off, the modifications cost around IDR 6 million and could inspire similar creations. The following video shows the drill in action:

Although designed to be used for children, it is likely many adult patients dreading their next trip to the dentist would also welcome such an innovation, and Dr Gustiana has already received requests from adults. How else could patients’ fears be put to rest when undergoing medical treatment?

Source: http://www.springwise.com

Young for Italy – Collezione Kokler: uno sguardo contemporaneo sul passato

12 Ottobre 2012 Nessun commento

Sono tante le storie di Young italian che abbiamo voglia di scoprire e raccontarvi. Kökler è una di queste, una storia fatta di passione, forza di volontà e tanta creatività.

 

kokler, kökler, koekler, materiali pregiati, tradizione, personalità

Kökler, dal turco radici, è il nuovo progetto creato da tre giovani fashion designer di origini diverse, ma molto complementari. Nessuno dei tre è italiano, ma la filosofia creativa del loro progetto rispecchia pienamente i tratti distintivi e tanto celebri del nostro caro Made in Italy: cura del dettaglio, unicità del prodotto, abilità e perizia artigianale.

Emine e Hatice Sagdic sono sorelle, di cultura e sangue turco, ma nate in Germania. Dopo aver studiato filmologia, storia dell’arte e letteratura a Francoforte, si sono trasferite a Milano per intraprendere una formazione di design della moda presso AFOL Moda, dove incontrano Kleant Stasa. Quest’ultimo, d’origine albanese, ha studiato a Genova all’Accademia Liguistica di Belle Arti. Tale scambio reciproco di culture, di lingue e tradizioni diverse, che si dispiega nella nostra Italia, è il loro punto di forza, è l’essenza della loro poetica; infatti, ogni pezzo della Collezione Kökler esprime la storia, il folclore e l’identità delle terre d’origine dei tre designer.

 

kokler, kökler, koekler, Italian fashion brand, Hatice Sagdic, Emine Sagdic, Kleant StasaUna collezione dalla precisa identità in cui antiche citazioni etniche e pregiate tecniche di lavorazione artigianale si incontrano con “irriverenti” linee asimmetriche, tratti razionali e volumi “trasversali”. È questa la filosofia creativa di Kökler.

La loro estetica non si basa semplicemente sul recupero di un ricordo, sulla citazione di motivi etnici di antica memoria, poichè dietro c’è uno studio viscerale dei processi creativo/artigianali, dell’ingegno, delle tecniche e della cultura da cui questi motivi provengono; per poi proiettare il tutto verso un contesto contemporaneo ed attuale, attraverso abiti dai volumi tridimensionali con tagli audaci e dai forti contrasti cromatici.

I loro abiti, confezionati a mano con l’impiego di tessuti naturali e pregiati, esprimono al contempo delicatezza e grinta, fragilità e audacia, come Rozafa, la giovane protagonista di un’antica leggenda albanese, che come mi spiega Hatice, è stata una fonte d’ispirazione per il loro progetto. Tale contrasto è espresso dal’impiego di differenti tipologie di tessuti in uno stesso abito per conferire quel ritmo tonale che è una delle peculiarità dello stile Kökler.

 

Made in Italy, High end prêt à porter, moda italiana, prêt à porter Italiano, AFOL Moda

Kokler non è semplicemente un brand, ma un’idea progettuale che spazia dalla moda, alla pittura, alla fotografia.

Kokler è un laboratorio continuo di estro ed inventiva, di bellezza e voglia di fare.

La conclusione viene quasi spontanea: mentre noi italiani fuggiamo dal nostro Bel Paese, i tre giovani protagonisti della mia storia, “pazzi e incoscienti verrà da pensare a qualcuno, ma chi ve lo ha fatto fare, penseranno altri”, vedono nella nostra Italia, quel terreno fertile per condurre la propria indole creativa, per esprimere le proprie passioni e la propria voglia di progettare…

E a noi italiani non rimane che essere orgogliosi di questo!

Sono tanti i progetti futuri che Kökler ha in cantiere, come la sua prima collezione prêt a porter per la prossima stagione. In attesa di poterla ammirare e scrivere su di essa, non ci resta che fare il tifo per voi e dimostrarvi sempre il nostro entusiasmo.

 

By Valentina Capitano

Source: Italian Touch Boulevard

IL GIORNALE «La mia galleria? Un ponte con l’America Latina»

12 Ottobre 2012 Nessun commento

Parte da via Copernico la «sfida» artistica di Consuelo Hernandez

Nasce con obbiettivi ambiziosi e con una formula internazionale inedita a Milano, la Galleria d´arte che Consuelo Hernandez ha aperto all’8 di via Copernico, nel cortile di un palazzo che fronteggia l’edificio neoromanico dei Salesiani.

La formazione di Consuelo, 34 anni, laurea in lettere con indirizzo storico artistico, ha avuto due matrici importanti: l’arte e l’America latina, perchè il papà, Simòn, scomparso nel 1997, era un pittore venezuelano di sucesso, trapiantato e sposato a Milano, con studio in via San Marco.

Così per lei, nata in Italia, è stato naturale, dopo la laurea, avviarsi al lavoro nelle gallerie d’arte di Brera, per poi approdare sei anni fa, al Consolato venezuelano di Milano. Qui nel tempo ha acquistato un ruolo chiave come animatrice e organizzatrice di eventi culturali: non solo arte figurativa, ma anche letteratura, teatro, musica. Un’esperienza che l’ha arricchita fino al punto da volersi «mettere in propio».

La «Hernandez Art Gallery» nasce propio con il proposito di essere un ponte tra l’Italia e l’America Latina; non solo facendo «import-export» di artisti e di ocassioni culturali, ma sopratutto creando un luogo, a Milano, dove approfondire affinità e diversità, e dove cercare, con esse, nuove forme di arricchimento intelletuale.

Spiega Consuelo: «l’arte dell’America Latina-non solo del Venezuela, ma dell’intero Continente da noi è ancora poco conosciuta e troppo spesso confusa con i quadri e le sculture tradizionali venduti nei mercati per turisti. Io voglio introdurre e valorizzare in Italia gli artisti che meglio interpretano la loro provenienza attraverso ricerca vera e sensibilità per la cultura contemporanea. Ci sono tante personalità con forti contenuti da diffondere».

Consuelo è convinta che le opportunità siano tante, perchè a Milano il mondo delle istituzioni straniere (i consolati) e di quelle italiane (gli enti locali) nonostante i propositi non riesce a mettere a frutto le buone relazioni.

Grazie anche ai tanti rapporti che ha costruito in questi anni, la giovane gallerista ha un’idea precisa che non si ferma alla semplice esposizione di opere: «Voglio creare io questo ponte. Il mio desiderio è di riuscire a far diventare la galleria un centro al quale possa rivolgersi costruttivamente chiunque tenga ai rapporti culturali tra Italia e America Latina. Con lo sguardo rivolto a Expo 2015, che darà un inmenso respiro internazionale a Milano».

Alla Hernandez Art Gallery (www.galleriahernandez.com) espongono, fino alla fine del mese, il pittore argentino Ernesto Morales e il fotografo bresciano Federico Comelli Ferrari, le cui opere sono distribuite tra gli ampi locali del piano terra, moderni e luminosi, e l’antico ambiente sotterraneo, uno spazio articolato fatto di archi e volte in mattoni. Già fitto il calendario di mostre, conferenze e incontri.

 

By Paolo Stefanato
Source: Il Giornale 

REPUBBLICA ONLINE – Gli edifici e i monumenti famosi diventano collage coloratissimi

12 Ottobre 2012 Nessun commento

Coloratissimi collage di scatti sovrapposti che trasformano alcuni dei monumenti e degli edifici più famosi del mondo in architetture immaginarie e oniriche: sono le opere del fotografo Federico Comelli Ferrari, esposte fino al 28 ottobre alla Galleria Hernandez di via Copernico, a Milano.

Milano arte galleria hernandez ernesto morales Federico Comelli Ferrari

Palazzo Reale, Milano

La mostra “El otro, el mismo”, una bi-personale a cura di Chiara Canali che vede gli scatti di Comelli Ferrari affiancati ai dipinti del pittore argentino Ernesto Morales, inaugura l’attività della nuova galleria, nata con l’obiettivo di sostenere e approfondire il dialogo culturale fra Italia e America Latina. “Accompagneremo il pubblico alla comprensione e alla conoscenza della cultura latino americana e all’apprezzamento dei giovani talenti italiani che non trovano collocazione nel panorama artistico milanese” spiega la direttrice Consuelo Hernandez.

 

By Lucia Landoni
Source: http://milano.repubblica.it 

MTNews – Arte, un ponte tra Italia e Sudamerica nel segno di Borges

12 Ottobre 2012 Nessun commento

Milano (MTNews) – Una mostra bipersonale, con due tra gli artisti più interessanti della scena contemporanea, per inaugurare – con non poco coraggio, visti i tempi di crisi – una nuova galleria d’arte a Milano.

The Merlin Entertainments London Eye galleria arte consuelo hernandez

The Merlin Entertainments London Eye

Nei locali della ex stamperia Linati si è concretizzato il progetto di Consuelo Hernandez, che ha un obiettivo preciso: “Essere un ponte tra la cultura e l’arte latinoamericana e quella italiana”.

In quest’ottica si spiega la scelta dei due artisti, l’argentino Ernesto Morales e il bresciano Federico Comelli Ferrari, uniti nel segno dello scrittore Jorge Luis Borges, come spiega la curatrice della mostra “El otro, El misto”, Chiara Canali. “E’ una frase – ci ha spiegato – presa in prestito dalla letteratura di Borges, significa l’altro e il medesimo, e questo è il concetto su cui si basa tutta questa mostra, che unisce due artisti anche molto lontani, molto diversi”.

Ernesto Morales è un pittore che indaga nelle sue tele i paesaggi spirituali. “Sto presentando – ci ha detto – una serie completamente inedita di lavori, incentrati sul bosco, sul bosco come metafora di un luogo che può rappresentare l’inconscio, il mondo onirico. E in quel bosco accadono delle trasformazioni, dei mutamenti”.

Federico Comelli Ferrari è invece un fotografo, che lavora soprattutto sui paesaggi urbani, scomponendoli e ricomponendoli in qualcosa di nuovo. “Dialogare con un pittore – ha spiegato – lo trovo stimolante, perché sono due tecniche completamente diverse, ma con dei punti in comune molto forti e molto netti: la ricerca del surreale, la ricerca di ciò che non abbiamo e la ricerca di ciò che vogliamo costruire noi”.

La mostra alla Hernandez Art Gallery resterà aperta fino al 28 ottobre.

 

Source: http://www.ilgiornaledivicenza.it

REPUBBLICA – Una venezuelana nell’ antico spazio del litografo Linati

5 Ottobre 2012 Nessun commento

By Chiara Gatti
Source: www.repubblica.it

Gli spazi illuminati da una grande vetrata al primo piano e ritmati da antiche volte in cotto nel sotterraneo ospitavano la stamperia del maestro litografo Cesare Linati, dove artisti come Guttuso, Messina o Ferroni mettevano sotto torchio lastre di pietra dai disegni memorabili. Oggi gli stessi ambienti, rinfrescati di bianco e dall’aria un po’ londinese, accolgono la neonata galleria di Consuelo Hernandez, venezuelana di origine,  ma «nata e cresciuta a Brera» dice, (suo padre era un artista), passata dal coordinamento delle iniziative culturali del Consolato del Venezuela al sogno di un’attività in proprio.

galleria consuelo hernandez  morales

Vista sotto galleria

 

C’è riuscita inaugurando un luogo destinato all’incontro fra le ricerche estetiche in salsa latino-americana e la giovane arte italiana, meglio se aperta a linguaggi sperimentali. Come nel caso di Federico Comelli Ferrari, bresciano del 1980, che taglia e cuce foto di monumenti storici, dall’ acropoli di Selinunte al Palazzo Reale di Milano, spiazzando l’occhio con prospettive impossibili. Gli sta accanto, per questo primo dialogo a cura di Chiara Canali, l’argentino Ernesto Morales, 38 anni, pittore di atmosfere boschive, umide di pioggia e galaverna.

For more information visit www.galleriahernandez.com

El Otro, El Mismo

5 Ottobre 2012 Nessun commento

Apre a Milano Galleria Hernandez, una nuova galleria in zona Stazione Centrale – P.ta Garibaldi ristrutturata e ricollocata nei vecchi spazi della Tipografia Linati

Ernesto Morales Federico Comelli Ferrari EL OTRO EL MISMO Consuelo Hernandez Direttrice Galleria Hernandez Chiara Canali

La galleria è guidata dalla direttrice Consuelo Hernandez che ha maturato una lunga esperienza artistica collaborando con varie gallerie in zona Brera e avendo ricoperto l’incarico di Assistente alla Cultura del Consolato Generale della Repubblica Bolivariana del Venezuela a Milano.

Obiettivo di questo ambizioso progetto è sostenere e approfondire il dialogo culturale fra l’Italia e l’America Latina, organizzando scambi fra artisti, gallerie ed istituzioni all’interno di uno spazio specializzato nella promozione di artisti sudamericani, accompagnando il pubblico alla comprensione e alla conoscenza della cultura latino-americana e all’apprezzamento dei giovani talenti italiani che non trovano collocazione nel panorama artistico milanese.

Domenico Piraina Consuelo Hernandez Galleria Hernandez

Domenico
Piraina, Direttore del Palazzo Reale con Consuelo Hernandez, Direttrice
della Galleria Hernandez.

In quest’ottica, la mostra d’apertura corrisponde a queste finalità affiancando in una bi-personale le ricerche del pittore argentino Ernesto Morales (Montevideo – Uruguay, 1974) e del fotografo italiano Federico Comelli Ferrari (Brescia, 1980).

Il titolo della mostra, “El Otro, El Mismo”, omaggio alla letteratura argentina di Jorge Luis Borges, interpreta immediatamente il dialogo tra cultura latino-americana e italiana nelle poetiche dei due artisti, che sono l’una diversa dall’altra, perché si fondano su presupposti artistici, stilistici e culturali differenti, ma al tempo stesso medesime per quanto concerne i temi indagati della luce, del mistero, della metamorfosi e del surreale.

“L’Altro” quale sinonimo di mistero, di impermanenza, di atmosfere misteriose e lontane, evanescenti e irreali che caratterizzano nel medesimo tempo i quadri di Ernesto Morales che le fotografie di Federico Comelli Ferrari.

Cosmopolita ma fermamente legato alle proprie radici latine, Ernesto Morales ha realizzato numerose esposizioni internazionali ottenendo riconoscimenti sia in Sud America che in Europa.  Stabilitosi in Italia, ha sviluppato la sua poetica attraverso cicli tematici coerenti che si privilegiano l’uso della pittura come linguaggio totalitario, in un’ossessiva indagine metalinguistica sul significato del gesto espressivo in relazione con la ricezione dello spettatore.

galleria hernandez

Vista sotto galleria

Tra metafore e simbologie, la ricerca di Ernesto Morales ricorre a pochi elementi essenziali che vanno a creare una situazione sospesa tra mondo reale e dimensione mentale.

In questa serie di opere, la pittura di Ernesto Morales si propone di visualizzare la vaporosità della luce all’interno dello scenario paesaggistico di un bosco. Come afferma il pittore “è sulla trasformazione della luce – come metafora – e del bosco – anche questo come metafora – che s’incentra il mio progetto”.La dimensione dell’irreale è rafforzata dalla scelta di colori monocromi stesi attraverso graduali sovrapposizioni e velature, che svelano e nascondono il mondo tangibile, instillando il dubbio di una temporalità sospesa che si dipana tra i concetti di materico e spirituale, di etereo e concreto, di micro e macrocosmo.

Il paesaggio, attraversato dal volo di essere volatili, forse gli stessi eppure in movimento progressivo, diventa incarnazione del tema della migrazione, dell’esilio, del viaggio (esteriore ed interiore) come condizione stessa di cambiamento e rivelazione.

Consuelo con Cioffi, Ainett e Sheila durante l'inaugurazione hernandez

Consuelo con
Cioffi, Ainett e Sheila durante l’inaugurazione

I fotogrammi plurimi e incrociati di Federico Comelli Ferrari si costruiscono mediante un lento processo di post-produzione fotografica che permette all’artista di selezionare, scegliere, sezionare e ricucire un frastagliato e composito collage di segni e forme geometriche che restituiscono l’architettura di città e metropoli.

Un’operazione meccanica e minuziosa che il fotografo ha esercitato sia nei confronti di paesaggi urbani italiani (da Torino, da Roma) sia di scenari esotici ed estranei come Istanbul, La Havana, il Cairo, e la Malesia.Non mancano scatti più complessi e “sperimentali” che rimandano ai luoghi misteriosi della Lombardia, come i paesaggi dell’orrido di Bellano, spazi inquietanti e fantastici, che si dispiegano davanti allo spettatore come fossero una realtà nuova, totalmente immaginaria e fittizia, che nondimeno restituisce il sapore di un luogo, i colori, i rumori e le sensazioni percepite dal vero.A livello stilistico, le opere di quest’ultimo progetto presentano un viraggio a tonalità ricorrenti di colori e il ricorso a una certa simmetria e specularità quale volontà di riorganizzazione formale del campo visivo.

Ainett Stephens Ernesto Morales

Ainett Stephens davanti a un quadro di Ernesto Morales

Nell’ecclettismo e nella visionarietà delle immagini di Federico Comelli Ferrari si coglie la volontà di ritornare alle origini dei luoghi e delle loro tradizioni, nel desiderio di aderire a un pluralismo, a una diversità, a una ricomposizione che ridefinisca i criteri di aperura alle molteplici e differenti culture del mondo.

El Otro, El Mismo

ERNESTO MORALES e FEDERICO COMELLI FERRARI

Galleria Hernandez

For more information visit www.galleriahernandez.com

Rozafa by Kökler: Esposizione di Arte e Moda

4 Ottobre 2012 Nessun commento

Kökler è fiero di presentare la sua prima mostra intitolata “rozafa”, che si terrà dal 9 al 14 Ottobre 2012 a Milano, presso lo studio dell’artista Chiara Luraghi, in Piazza Giuseppe Grandi 1 a Milano. L’inaugurazione è prevista martedì 9 Ottobre dalle 19.

Emine Sagdice Hatice Sagdic Kleant Stasa expo web gallery milan fashion Kökler

Il gruppo Kökler è composto da Emine Sagdic, Hatice Sagdic e Kleant Stasa.

 

Milano, 1 ottobre 2012. Rozafa è una leggenda nell’antica tradizione balcanica che racconta come una giovane madre si fece murare viva, sacrificata da suo marito. Il coraggio e la volontà di questa donna hanno inspirato Kökler per creare questa esposizione a metà strada tra arte e moda. I capi sono stati disegnati e concepiti interpretando una donna la cui femminilità e fragilità sono state emarginate in un mondo molto più duro e pesante, La donna, forte, cammina e assume le sue responsabilità, sfida il mondo urbano, ma sempre con quel tocco sensuale che la rende desid- erabile.

La mostra nasce dalla volontà di esprimere emozioni, di trasformare inspirazioni in un oggetto. Le foto, scattate con una vecchia Polaroid su supporto Chocolate, sono opera del fotografo Marco Giambrone, anch’egli presente all’inaugurazione. La realizzazione dei vestiti è stata eseguita a mano, dalla colorazione delle stoffe all’assemblaggio delle varie parti. La tradizione e l’utilizzo di tecniche manuali abbinate a tagli geometrici, volumi “trasversali”, sono un concetto caro a Kökler.

Kökler è un gruppo composto da tre designer di origini diverse ma molto complementari. Emine e Hatice Sagdic sono sorelle, di cultura e sangue turco, ma nate in Germania. Dopo aver studiato filmologia, storia dell’arte e letteratura a Francoforte si sono trasferite a Milano per intraprendere una formazione di design della moda presso AFOL moda, dove incontrano Kleant Stasa. Kleant è d’origini albanese ma ha studiato a Genova all’Accademia Ligustica di Belle Arti. Questa interculturalità combinata con le varie influenze dovute a paesi, lingue, tradizioni diverse vissute dai membri di Kökler, conferisce uno sguardo carico di emozioni, particolarmente ricco e fresco sulla moda di oggi.

Dopo “Rozafa”, Kökler presenterà per la prossima stagione la sua prima collezione prêt à porter.

For more information visit www.kokler.it

 

College designers compete for top solar home crown

28 Settembre 2012 Nessun commento

– Teams from across the globe will soon learn whether their green designs will take top prize at Solar Decathlon Europe 2012 — a competition that challenges collegiate designers to build houses powered exclusively by the sun.

 

Fold, a house designed by students from the Technical University of Denmark, has walls and a ceiling with adjustable angles to maximize its solar panels’ exposure to the sun.

 

But beyond their use of photovoltaic panels, these sustainable homes of the future will also be judged on overall design, construction quality and the level of innovation.

The 19 small houses that run solely on solar power were built over two weeks in September at Villa Solar in Madrid, Spain, and provide an architectural spectacle that the public can tour for free.

Teams from Europe, China, Japan, Brazil and Egypt, designed these houses to produce minimal waste throughout the structures’ life cycle.

The lighting, heating and cooling must be fully functional in each house, as do any household appliances inside them, like televisions and ovens. Plumbing is the only component not set up in these showcase homes.

During their final days on display, the houses accumulate points through a series of 10 mini-contests, each measuring specific parameters like architecture, engineering, energy efficiency and market viability. The team with the most points after the final judging wins.

With two more contests to go, a French team’s house, “Canopea,” is leading the pack, followed by a Spanish team’s “Patio 2.12” and an Italian team’s house, called “Med in Italy.”

Ecolar, a team from Germany, is in fourth place right now but its team member, Jakob Winter, says just completing the house the way they had conceptualized it is gratifying enough.

“The most rewarding thing is the feedback of the visitors,” he said. “So many people have come to me after the tour to say what a wonderful building it is, and the atmosphere inside the house. We’re just very happy because we feel the same inside our house.”

Feedback is important for a team like Ecolar, which is one of the teams that already has concrete plans to take its prototype to the market.

“We already have several inquiries from all around the world of people who would very much like to purchase an Ecolar home,” Winter said.

Ecolar won the award for having the best engineering. It is a prefabricated modular home, meaning that they have designed several structures that can all be pieced together in a broader system.

The team enhanced the house’s “passive” temperature regulation to save energy, which meant using hemp in its walls, ceiling and floor for better insulation, and installing clay plates on the ceiling to absorb heat. Like several of the other houses, Ecolar uses vertical, semi-transparent solar panels on the house’s façade, which lets in natural light while helping to supply energy.

Sustainable materials were taken into consideration for most entrants. A team from RWTH Aachen University in Germany, which designed the Counter Entropy House, found several innovative ways to incorporate items normally thought of as unusable: melted CDs were used to build plastic panels for the house’s facade, and salvaged beams and wood from the university’s stadium also served as building material. The house was also designed so that all of its parts can be easily separated for recycling.

Amid the boxy structures, one house, designed by the team from the Technical University of Denmark, took an unusual yet striking shape. The house is called Fold, which looks lopsided with slanted walls and a slanted roof. The angles are meant to be adjustable, depending on where the house is built, to maximize the solar panels’ exposure to the sun.

Like many other of the entrants, Fold produces more energy than it consumes, which means the excess power can be sent through the grid for other uses. At Villa Solar, the prototype houses’ overall surplus energy powers event spaces.

The competition was spun off from the original Solar Decathlon held biannually by the U.S. Department of Energy in Washington, D.C., and is the result of an agreement between the U.S. and Spain, which is hosting the European edition for the second time.

 

By Vanessa Ko
Source: //edition.cnn.com

How to Analyze Your Business Expenses

26 Settembre 2012 Nessun commento

Q: What are the best strategies for analyzing expenses in my business?

A: While analyzing expense trends is vitally important, I have to first ask if you, the business owner, are the most qualified person to do this task. What’s important here are the answers, not the time spent analyzing expenses.

If you have a CFO, he or she should already be doing this analysis for you. And a really good controller will be proactive about doing this kind of work. Bear in mind, however, that it’s beyond the skills and experience of most bookkeepers.

That said, I understand the entrepreneurial drive to try to find the answers. So if you’re going to go it alone, or you just want to understand what your CFO or controller should be doing, here’s a step-by-step plan.

Analyze the income statement.
For every line item in the operating expenses, calculate the dollar amounts and percentages of revenue. Your accounting reporting software (such as QuickBooks) should be able to spit out reports like this very easily. Compare the numbers to last month, the last three months, the average of the last three months (called “rolling average”), average year-to-date and the same month last year.

Next, examine the “why” behind the numbers. I had a client whose parking-ticket fines for his delivery trucks jumped significantly compared to the last quarter and last year, and it was killing revenue. Turns out the city had tightened its enforcement. We shifted the delivery schedules and hired a ticket-fighting service that more than paid for itself.

Compare “actuals” to budgets.
One of the most important financial management exercises is the creation and use of a budget–the examination of all your expenses and estimation of what they will be next year. This will automatically get you thinking of the drivers behind each expense. And don’t worry, your estimates will nearly always be off-target, but if you understand why a line item is going considerably over budget, you’ll know what to fix and how.

Use a dashboard.
Boil down your actuals to the absolutely most significant numbers and trends (profits, expenses, revenue, cash flow, etc.) and compile them into an easy-to-read dashboard. There are dashboard programs available for businesses of all shapes and sizes that can extract the data from your bookkeeping software and post the numbers automatically. This will allow you and the management team to instantly spot trends and problems on a weekly–or even daily–basis. These are your business’s vital signs and, good or bad, knowing them will help you sleep better. Trust me.

Make industry comparisons.
Reliable and relevant industry numbers can be hard for a single business owner to come by without spending a good chunk of money, but they’re critical to running a smart business. I used a commercial service called ProfitCents by Sageworks to work with an owner who initially thought his sales expenses were very low. But ProfitCents said they were double his industry average. Consequently, he reorganized his sales department and was able to save more than $100,000 per year.

Lacking that, try industry trade associations for any data, such as expense ratios, and ask other local businesses that are roughly the same size as yours–not competitors–to share their expense data. You’ll get a good idea of the costs for rents, salaries and other services in your geographic location.

 

BY JOE WORTH
Source: http://www.entrepreneur.com

BlackBerry Creator Lazaridis Puts $100 Million Into Nano Labs

21 Settembre 2012 Nessun commento

 

Mike Lazaridis, whose invention of the BlackBerry smartphone more than a decade ago redefined the way people send e-mail, is drawing inspiration from the early days of computing for his next act.

Backed by his $100 million donation, the Mike & Ophelia Lazaridis Quantum-Nano Centre opens tomorrow in Waterloo, Ontario, aiming to recreate the conditions that made AT&T Inc.’s Bell Labs a hive of technological innovation in the early 1960s and laid the groundwork for the success of Silicon Valley.

The new research center is designed to produce breakthroughs in the science and technology of things approaching the size of an atom. It’s “absolutely” going to be the Bell Labs of the 21st century, Lazaridis said yesterday in a telephone interview. “That reality got clearer and clearer to me as we got closer to the ribbon-cutting.”

Lazaridis, who resigned as chairman of struggling BlackBerry maker Research In Motion Ltd. (RIMM) in January, says he’s now devoting most of his time to help get the Quantum-Nano Centre off the ground and to form a cluster of cutting-edge research with the decade-old Institute for Quantum Computing andPerimeter Institute for Theoretical Physics, both founded with a total of more than $250 million of his own money and additional funds he helped raise.

The facilities will be enough to lure the brightest minds in the field to Canada, Lazaridis said.

No Mountains

“We can’t offer them ocean, beaches or mountains, but we can try and offer them the best environment, the best collaborators, the best equipment that would be conducive to them making the breakthroughs of their lifetime,” Lazaridis said. “One of the best ways to describe this is we’re trying to break the known laws of physics.”

The technology Lazaridis is talking about is designed to redefine the boundaries of Moore’s Law, the principle — associated with Intel Corp. (INTC) co-founder Gordon Moore — that the number of transistors that can be placed on an integrated circuit doubles every two years. Quantum computing and nanotechnology would allow medicine to be delivered to individual cells, could create minute energy sources and could even produce self-healing materials that could be used in a nuclear power plant, he says.

“It’s getting more and more difficult to make smaller devices as we approach the size of an atom, but it’s also getting more expensive to build those devices,” he said. “You know you’re at the limit when those two things happen. The only way we can break through those barriers is quantum computing.”

Possible Investments

While Lazaridis said he’s considering investments in nano and quantum technology, he wouldn’t say when or how much he’ll invest. The 51-year-old still owns 29.7 million shares in RIM, which are worth about $214 million, according to an April filing.

“I do have the funds to invest in both angel and venture capital, but I’m being very, very strategic,” he said.

While Waterloo does have some local venture capital that startups can tap, it lacks the billion of dollars in venture capital that investors are willing to risk in Silicon Valley on local startups. That doesn’t faze Lazaridis, the son of Greek immigrants who immigrated to Canada as a boy and started RIM while still at the University of Waterloo in the 1970s.

“The venture capital will find its way to those individual entrepreneurs or companies that are interested in commercializing these discoveries,” he said.

Valley’s Roots

Bell Labs, founded in 1925 and now part of Alcatel-Lucent, had its operations in New York City and the New Jersey suburbs, an area that hasn’t been able to seize the mantle of technological innovator held by California’s Silicon Valley, home to Intel, Apple Inc. and Google Inc. Bell Labs alumni such as William Shockley helped bring the research center’s innovations to the West Coast.

In Waterloo, other companies are championing the growth of the technology industry as RIM continues to shrink, with users switching to devices from Apple and Samsung Electronics Co.

Desire2Learn Inc., a local online-education software startup, raised $80 million in venture funding this month from investors including Menlo Park, California-based New Enterprise Associates Inc. Waterloo-based OpenText Corp., a 20-year-old maker of business software, saw revenue grow 17 percent to $1.21 billion in its most recent fiscal year and employs more than 4,500 workers worldwide.

The two provide a morale boost to the local economy as RIM cuts 5,000 jobs to try to return to profitability. Chief Executive Officer Thorsten Heins, who took over in January, is counting on a new lineup of phones, due next year, to reverse the company’s fortunes.

Lazaridis, who remains on the board of RIM and runs its innovation committee, says he still regularly consults with Heins, who he picked as his successor.

While he declined to say if he’s happier being able to devote himself full-time to pure science and philanthropy rather than running RIM, he said he’s enjoying his new project.

“Never in my wildest dreams did I think I would be part of this adventure,” he said. “I wouldn’t have it any other way.”

 

By Hugo Miller
Source:http://www.bloomberg.com

Robotic co-worker Baxter joins factory line

19 Settembre 2012 Nessun commento

Baxter can work happily alongside human co-workers

A humanoid robot designed to work safely alongside people on factory production lines has been unveiled in the US.

Priced at $22,000 (£13,500), Baxter will go on sale in October.

Its makers, Rethink Robotics, say it can apply common sense, adapt to its environment and be trained in less than 30 minutes to complete specific tasks, by workers without robotic expertise.

Currently factory robots tend to work separately to humans, often in cages.

Rodney Brooks, Rethink Robotics founder and former director of the MIT Computer and Science and Artificial Intelligence Lab, said he hoped Baxter represented a “new concept in manufacturing”.

“Roboticists have been successful in designing robots capable of superhuman speed and precision. What’s proven more difficult is inventing robots that can act as we do – in other words, that are able to inherently understand and adapt to their environment,” he said.

‘New hope’

According to the International Federation of Robotics there are now 1.1 million working robots in the world. In car manufacture, for instance, about 80% of the production is completed by machines.

Equipped with sensors and other software to help it see and understand its environment, Baxter has also been programmed to apply common sense to its environment. For example, if it drops an object, it “knows” it has to get another one before trying to finish the task.

To teach Baxter a new job, a human guides its arms to simulate the desired task, and presses a button to program in the pattern.

If the robot does not understand, it responds with a confused expression.

It is hoped robots such as Baxter can help to bring manufacturing back to the US, much of which has gone abroad to countries where labour is cheap.

“We could offer new hope to the millions of American manufacturers who are looking for innovative ways to compete in our global economy,” said Mr Brooks.

 

Source: www.bbc.com

College Students Who Pivoted Into Entrepreneurship

18 Settembre 2012 Nessun commento

To succeed as an entrepreneur, you occasionally have to be willing to give up something good for something great. Austin Hackett was halfway through a medical degree at Columbia University in New York when he decided to devote himself fulltime to his startup discussion platform, CrowdHall.

Austin Hackett (pictured center) was a medical student at Columbia University when he decided to startup instead.

His mother was supportive, but his father had doubts. Wouldn’t it be better, his father asked, to complete the medical degree before risking his future? Although Hackett was interested in helping people, he knew then that the physician’s life wasn’t for him.

“I was always more drawn to creative problem solving,” says the 27-year-old Hackett, who now lives in Cincinnati. “Medicine doesn’t really have creative problem solving. It has prescriptive problem solving. It didn’t really excite me.”

For Hackett and many more young people like him, it’s painful to discover that the decisions made as a 17- or 18-year-old college student don’t always continue to ring true at 21 or even 27 years old. But what do you do? Stick it out in a career that’s not your dream or pursue your real passions instead?

Related: Thinking of Majoring in Entrepreneurship? Read This First

That’s a question serial entrepreneur and Brown University entrepreneurship professor Danny Warshay often helps his current students and new grads grapple with. Students have considerably more options than they realize, he says. But too often they narrow their choices before performing a true self-assessment and figuring out where their passions lie. “Unfortunately, many of them end up unhappy and come back to me for guidance,” adds Warshay.

To prevent this fate, Hackett turned to more creative pursuits. He is creating a communications platform that he claims will be especially useful to celebrities and politicians.

On CrowdHall, users can create individual profile pages, called “halls,” and followers can post questions to them. The entire audience has the ability to vote on which questions they would most like answered. You can check your hall on a regular basis to answer the top questions, and the answers will be sent out to those who voted and archived in the hall for everyone to read.

Hackett and his co-founder Jordan Menzel have already made some progress. After selling an early CrowdHall prototype to the U.S. Agency for International Development, the founders are planning a soft launch of the full platform this month. The site will also host the Columbia University Earth Institute’s State of the Planet conference in October.

Related: 5 Ways to Land Press for Your Startup From Your Dorm Room

Like many entrepreneurs who’ve transitioned into business from alternative career paths, Hackett says his previous experience has been an asset. Being a doctor, he says, is about “trying to understand patients and letting them feel like they have a voice that matters. And that’s exactly the thing we’re trying to do with CrowdHall. Every person has a voice that matters and they have an opportunity to be heard in the wider public space.”

Perhaps the most important catalyst to pivoting away from a college major or first job is finding a need that you connect with. Just ask Julie Sygiel.

Julie Sygiel

Julie Sygiel (in Blue) turned her chemical engineering background into a business.

In 2008, Sygiel was a junior at Brown University studying chemical engineering. But after taking Warshay’s entrepreneurship course, she realized her true vocation. During the class, she and two classmates were tasked with creating a business idea that solved an everyday problem. The problem Sygiel’s group picked: accidents that befall women during menstruation. And the idea, which would eventually become Underbrella, was a line of high-tech undergarments in breathable fabric with a thin, leak-resistant layer.

Related: 7 Paybacks an Alma Mater Can Offer Young Entrepreneurs

Upon graduation, Sygiel started up the company, which the now 24-year-old says will hold its first preview sale on its website in October. Soon after, the line will be available in at least 16 boutiques across the country as well as on ActivewearUSA.

Although Sygiel once considered going into food science or the cosmetics industry, she now says she doesn’t think she’ll ever work as an engineer.

“You’re going to be way more successful doing something that you love,” she says. “Sure, there are going to be hard days. But don’t settle if you’re not really happy doing what you majored in.”

 

BY BRIAN PATRICK EHA
Source: www.entrepreneur.com

Facebook’s Mark Zuckerberg admits disappointment in shares but hints at new products

14 Settembre 2012 Nessun commento

Facebook Inc. chief executive Mark Zuckerberg admits to being disappointed about his company’s crumbling share price, but argued that Wall Street did not yet grasp the full long-term potential of its slow-growing mobile business.

facebook sardi innovation

In his first major public appearance since the No. 1 social network’s rocky May IPO, Facebook Inc. CEO Mark Zuckerberg soothed investors by hinting at new growth areas from mobile to search.

The chief executive, who has himself lost billions of dollars on paper since Facebook’s market debut, admitted to disappointment about his company’s crumbling share price, but argued Wall Street has yet to grasp the full potential of its fledgling mobile business.

Speaking at theTechCrunch Disrupt conference in San Francisco, the 28-year-old co-founder looked confident in a gray T-shirt and jeans as he hinted that the company was “halfway through” a cycle to “retool” and offer new advertising products.

His delivery helped drive Facebook shares up more than 3 percent after hours to above $20, building on a 3.3 percent gain in regular trade on Tuesday.

Facebook became the first U.S. company to debut on stock markets with a value of more than $100 billion. But it has since lost more than half of its capitalization as investors fret about slowing growth.

 

Source: www.telegraph.co.uk

The Vince McMahon School of Productivity

13 Settembre 2012 Nessun commento

As the chairman and chief executive of World Wrestling Entertainment (WWE), Vince McMahon, 66, oversees a global professional wrestling empire with programming in 145 countries. After almost singlehandedly redefining both “wrestling” and “entertainment” in the 1980s, McMahon has successfully steered the company—which has launched the careers of every buff, bold-faced wrestler from Hulk Hogan to Dwayne “The Rock” Johnson—through steroid scandals and even severe miscalculations such as the XFL. Around the ring, though, business continues to boom. In 2011, the company brought in $483.9 million in revenue. As WWE prepares to celebrate the 1,000th episode of its flagship program,Monday Night Raw, Bloomberg Businessweek asked McMahon for his managerial secrets to success.

World Wrestling Entertainment Inc. Chairman Vince McMahon

World Wrestling Entertainment Inc. Chairman Vince McMahon is introduced during the WWE Monday Night Raw show at the Thomas and Mack Center

 

Listen to Your Employees—and Yourself

“You can’t say, ‘Go do so-and-so,’ unless you’re willing to do it. You can’t ask someone to put in a zillion hours unless you’re willing to go do it. You can’t ask anyone to have a passion for a product unless you have it. Listening is a lost art. I have a unique ability to listen to myself as I’m talking. That’s somewhat unique, but I think that to listen is to learn. I think some of things begin from a natural standpoint, and you’ve got to work at them. You’ve got to let it evolve.”

Treat Every Day Like Day One

“Once you make a decision, you go with it, and everyone gets behind it. There’s no second-guessing. One of my expressions is, ‘First day on the job.’ That’s the way I like our executives to look at our business every day and what they do. When you do that, then it either confirms that what you did yesterday is the right way—or it’s, like, ‘Ooh, now that I have this new information. … There’s this new form of media, there’s a new way of thinking of things, you know, or I read a book last night, I read something in the newspaper ….’ Bringing that degree of intelligence and flexibility into the organization is very, very important.”

Don’t Cultivate Fear

“Certainly the best way to fail in management [is to be distant and imperious]. You shut people down. If you have all the answers, why is anyone around you? If your ego is so big, then there’s no room for anyone else’s. The fear stuff—that is so rotten. You have to earn everyone’s respect. I have to do it every day. Sometimes I leave the office and I feel great. In military terms, I’ve got ‘scrambled eggs on my cap.’ I’ve got medals dripping off my chest. When I wake up in the morning, they’re all gone. You have to earn everyone’s respect in business every day.”

Clear Your Head and Find Your Zone

“I average about four hours of sleep. I don’t like to sleep. I’m missing something when I’m sleeping. From a personal standpoint, I’m aggressive by nature and I’m truculent by nature. So I need to have a socially acceptable outlet for that. That would be bodybuilding. I enjoy that. It’s a challenge to be stronger. I get a lot of enjoyment by training. Nutrition goes with it. I train for my head—not my body. The ancillary benefits are that I’m healthy as a horse. It really does clear my head. It’s an opportunity to wash anything from my head, business-wise or personal. That’s my moment when I can get into a zone.”

Don’t Settle for BS Answers When Interviewing Job Candidates

“My first question is: Why do you want to work with WWE? They don’t have to know WWE, by the way. They don’t have to be fans. Sometimes that gets in the way. If they give me a boilerplate answer, I look at them and I say, ‘That’s a boilerplate answer. It’s not what I’m looking for.’ I’m very straightforward and very honest with people. That’s what I want back. Don’t tell how to make the watch—tell me what time it is. Be honest. It cuts through a lot of crap. People know where they stand. They know where you stand. Life becomes a lot easier.”

Complacency Is Your Worst Enemy

“Indecision ticks me off, but complacency would be the biggest thing. I don’t take anything for granted. There’s no entitlement. I’m not entitled to take my next breath. I will never be complacent. If I climb a mountain, I want to see the next highest peak. Encourage employees by giving them other opportunities. I think if you see complacency, you say from an HR standpoint, ‘We find that you’re becoming complacent.’ So as a quality I don’t like, that’s strike one. Strike two is if they can’t change—if they can’t look at it as the first day on the job. Sometimes people need a kick in the butt for themselves—personally or professionally. Strike three is when it doesn’t work.”

 

By Keenan Mayo

Source: www.businessweek.com

How to stabilize a wobbly table

12 Settembre 2012 Nessun commento

You are in a restaurant and you find that your table wobbles. What do you do? Most people either put up with it, or they attempt to correct the problem by pushing a folded table napkin under one of the legs. But Yeople’s guys can go one better.

Jack Hitt Examines Why Amateurs Are the Job Creators

12 Settembre 2012 Nessun commento

Forget Wall Street types—they don’t create jobs, not like startups and backyard inventors do. This American Life’s Jack Hitt, author of Bunch of Amateurs, says dorm-room innovators can save America


After getting ticked that her dying computer battery required a tangle of plugs and wires, a 22-year-old college student named Meredith Perry decided she’d poke around the subject to find out why wireless hadn’t made the leap to electricity. It’s the classic amateur move, and the story feels vaguely familiar, right? Because you know where it’s going: this paleobiology student, who was interning at NASA not long ago, is now the CEO of uBeam, a company poised to revolutionize life in the digital sphere.

But it’s the details of Perry’s success that make the story. Once seized with a desire to know why, in a world of remote control and Wi-Fi, we were still worrying about wires and adaptor bricks, she repaired to that authoritative source of inspiration: Wikipedia. Her investigations led one way or another but often to experts who told her that it was all too complicated and that the physics made it impossible.

 

Perry now gives TedxTalks about innovation and gumption, dissing the old guard’s boxed-in mentality. Turns out, those Wiki entries were enough for her to link two well-known technologies. Piezoelectricity is a form of power that is recharged through slight motion. So, Perry thought, forget about the difficulty of sending standard electricity through the air, why not send ultrasound waves—humans can’t hear or feel them—across a room to a piezoelectric battery?

 

Funding is now gathering behind uBeam. And should the startup deliver on this idea’s promise, next year we’ll all be tossing out the name “Meredith Perry” the way we currently sling “Mark Zuckerberg.”

 

The emergence of new startups and the reappearance of the backyard (or dorm-room) inventor is no real mystery. The era of the amateur typically revives right around the time it’s declared by conventional wisdom to be over. Our time, people breezily insist, is too complicated, too confusing, too corporate, too professional, too specialized for there to be any real amateur pursuits. And then, one day, that no longer seems to be true. A “maker” movement arises and flourishes, and DIY shops and labs pop up across the country.

Economic slumps and burst bubbles also help. It might just be random chance that when David Packard tinkered in a Palo Alto garage with William Hewlett in 1938, it was the height of the Great Depression. That garage was recently designated a Registered National Landmark. Why? Because in a country of backyard inventors, that’s the location of a lot of American ingenuity.

It might also be more random chance that the two Steves, Jobs and Wozniak, holed up in a Cupertino garage during the stagflationary mid-’70s until they emerged with the first modern desktop. But probably not. The economy matters. These days, the Internet seems almost to have sped up the process, so in the future it might be a few dorm rooms that become registered landmarks.
amateur create the job CEO

Meredith Perry, the Founder and CEO of uBeam, speaks at this year’s TED Conference in Nashville.

An amateur revival is on the way, in part not just because the current generation is learning the hard way that necessity is the mother of invention, but also because that’s how it typically happens here. In recent years, Wall Street investors have managed to flatter themselves with talk of being “job creators” and “risk takers.” But that’s ridiculous. By their own admission, they’re in the exact opposite business. The entire phylum of what they do is called “hedging risk,” not diving into it. And the recent rise of the phrase “job creators” is a bit of Frank Luntz jibber jabber meant to neutralize a lot of populist talk about “the rich.”

 

Refusing to join in the general flattery of big money these days is itself the real risk. Ask Nick Hanauer, an Amazon investor. He’s the guy who gave a Ted Talk recently that was so controversial the Ted commissariat refused to post it online until public pressure forced them to relent. Hanauer had found the one idea that Ted was afraid to spread, because, as curator Chris Anderson explained, “it would be unquestionably regarded as out and out political.” Hanauer’s treachery was not that he talked about income inequality, his stated subject. The entire nation has been openly discussing that subject ever since the Occupy Wall Street dude walked into a public park. Here’s the real treason that dinged Hanauer as a Ted-sanctioned talker: “Rich businesspeople like me don’t create jobs.”


By  Jack Hitt

Source: http://www.thedailybeast.com

Square CEO Jack Dorsey: I never wanted to be an entrepreneur

10 Settembre 2012 Nessun commento

SAN FRANCISCO — Startup lightening struck twice for Jack Dorsey: He’s a cofounder of Twitter and the creator and CEO of payments venture Square. Both companies now have multi-billion-dollar valuations, putting Dorsey in the rare pantheon of serial entrepreneurs with multiple home runs.

It’s a role that wasn’t originally on his radar, Dorsey said Monday in a talk at TechCrunch Disrupt. He wanted to be actor Bruce Lee, he quipped.

Jack Dorsey twitter founder square ceo

Jack Dorsey

Dorsey’s talk was light on specifics — he offered no new details on how things are going at Square or Twitter — and heavy on inspiration. Now a top executive at two of Silicon Valley’s most buzzed-about ventures, Dorsey spoke about his twisty journey to the business world’s peak.

“I wanted to be a sailor, to explore and experience the world,” he said of his early career visions. “I wanted to be an artist, specifically a surrealist — my favorites because they see the world in a very, very different way.”

Dorsey, who taught himself how to program at 15 and was inspired to build Twitter by his obsession with maps and data, outlined his philosophy of entrepreneurship to an audience packed with founders and investors.

“A founder is not a job,” he said. “It’s a role, it’s an attitude and it’s something that can happen again and again and again.”

One of Dorsey’s core beliefs is that “life happens in intersections.” Another is that developers should be building technology that will eventually disappear as it integrates into peoples’ lives.

Dorsey’s two businesses take aim at giant industries: Twitter is a top player in the social networking field, while Square hopes to reinvent the entire payments market. He encouraged other founders to stop nibbling around the margins and swing big.

“We don’t want disruption where we just move things around,” he said. “Speeches will not disrupt.”

In fact, he’d like to see the entire word tossed out of the tech lexicon.

“I think we have to change the name of this conference,” Dorsey announced from the stage.

Disruption is “like an earthquake,” he said: “It has no values, it has no organizing principles, it has no direction and it has no leadership.”

 

That’s not what the tech industry should be aiming for, he thinks.

“What we want to bring into the world is revolution. Revolution has values, revolution has purpose, revolution has direction, revolution has leaders,” Dorsey said. “Revolution looks at the intersection ahead and pushes people to do the right thing.”

His advice: “Pick a movement, pick a revolution and join it.”

By Laurie Segall
Source:  http://money.cnn.com/

Steve Bachmann, Vinfolio

10 Settembre 2012 Nessun commento

Five years ago, Steve Bachmann abandoned his 17-year career in investment banking to open an online shop for devoted wine collectors. Bachmann himself was no stranger to fine wine — at the time, his personal collection was in the thousands.Steve Bachmann wine worldwide

Bachmann’s vision was to tailor a one-stop solution for aficionados within a field whose existing services he saw as rather fragmented. “We wanted to streamline the process,” he says. “People always get excited when they find out the scope of what we do.” The website goes beyond a typical wine store by providing expert information, community functions, and access to other members’ private collections.

Bachmann knows that investing in fine wine often requires selling as well as buying, so it’s not uncommon for him to purchase new varieties from his customers’ collections. In total, Vinfolio purchases 70 percent of its inventory from private collectors. Vinfolio’s own collection-management software called VinCellar is another way to attract wine-minded Web surfers and keep them coming back to the site (32,000 users are currently registered to the service).

So far, the strategy is working. Last year’s sales totaled more than $14 million, and this year, the company expects to break $30 million. A Hong Kong office, set to open in the fall, will tap into the growing Asian wine buyers’ market.

vinfolio wine “The VinCellar software is something that wine collectors and enthusiasts can visit every day, so it helps us create a shared mind with them, and gives us an opportunity to educate them about the wine they own,” Bachmann says.

To help promote his company as a veritable voice of authority in all things wine, Bachmann also hosts three blogs on the Vinfolio site. One is devoted to California wine, one to staff picks, and one to his own thoughts on the industry. Besides enabling a sense of community, the blog lets Bachmann view his own work from an analytical level, outside of the daily frenzy of running a business, he says.

 

Ana Patricia and Laura Palotie
Source: http://www.inc.com

Inventor Steve Katsaros Brings Light To Off-Grid Communites

7 Settembre 2012 Nessun commento

steve katsaros

Inventor Steve Katsaros created Nokero, a solar light bulb designed to provide light to 1.6 billion people in the world that lack access to electricity.

 

Launched in June of 2010, the Nokero bulb combines the best in solar and LED technology to create a superior, yet affordable, solar light. It’s made to last. The clear globe is made from the same shatter-resistant polycarbonate used in car headlights, and its high-temperature battery ensures it will charge efficiently even in the world’s hottest weather.

Steve Katsaros ecological lamp light no kerosene

 

Nokero has the potential to be a powerful tool to government and non-governmental organizations to bring disaster

 

relief in times of calamity, such as earthquakes, hurricanes and other natural disasters, when light is often needed most.

 

Nokero can be used in the home as well. It can be hung on an outdoor patio, soaking up light during the day and providing soothing light in the evening. It can also be used in classroom education, camping, in backyards, or in any ways in which traditional lighting is currently employed.

 kenya nokero

Steve Katsaros founded Nokero (short for No Kerosene) in June 2010, a for-profit company that designs affordable solar technology solutions expressly for poor, off-grid communities around the world. Katsaros’ goal has been to develop safe, affordable and environmentally friendly technology that eliminates the need for harmful and polluting fuels.

 

by ANDREW KRAUSS
Source:  http://inventornotes.com/

Entrepreneurs Should Take Advice from Nike: Just Do It!

6 Settembre 2012 Nessun commento

What makes an entrepreneur? Is there a formal course of study to be followed? With today’s exploding costs of a college education (multiples substantially higher than CPI and GDP growth) and the consequent increase in post graduation debt load and interest carry, is obtaining a college degree the most efficient way for the driven entrepreneur to reach for the successful establishment of a new enterprise, and the job creation that comes with it?

Many colleges and universities offer courses—and some even offer degrees—in entrepreneurial arts and sciences. While I find some of the offerings interesting and perhaps even useful and beneficial, in general they aren’t the most effective or efficient way to reach the ultimate goal. Certainly a budding entrepreneur would be assisted by a working knowledge of the law, accounting, economics, marketing, production methods, statistical measurements, and other skills that go into making a business run. However, an aspiring entrepreneur would probably enjoy more success if they just spent that time and energy in actually pursuing their enterprise with energy and a thoughtful plan.

Doing is all-important. I believe the sport apparel and equipment manufacturer, Nike, got it right in their long-running marketing campaign. “Just Do It!” applies to sport, where success in execution is all important, but it certainly also applies in business. Training and education in law, accounting, marketing, and the associated business skills—while they are ultimately necessary to a successful enterprise—exist in a marketplace where they can be “purchased” as and when needed. What cannot be purchased is the vision and passion for success required to take an idea and turn it into a business. And idea is not the same thing as a business. Nor can one buy the willingness to personally risk everything—yet that is precisely what every entrepreneur must do in order to be succeed.

 

Ron Lazof

Ron Lazof is managing director of Prism Advisers, LLC and a Job Creators Alliance member.

In addition to vision, passion, and risk, any entrepreneur will need to add to that basic skill and experience, as well as start-up capital, no matter what path you choose. Skill and experience are gained by following the Nike dictate: Just Do It! Capital is attracted in proportion to the perception of both opportunity for gain and the corresponding risk. Risk and return are always and forever linked, so if you seek significant financial return, you must accept significant risk, at least according to the prevailing “free market” philosophy.All that said, where should our new generation of entrepreneurs look for guidance? First, they must look to themselves for the vision, passion, and drive to achieve. Secondly, they must look to their peers and the examples of those who have plowed the path before. Most Fortune 400 entrepreneurs are self-made—that’s right, they did build it themselves. Few have inherited wealth. Many did not finish or even start traditional educational paths. Their haste to “Just Do It!” combined with their vision and passion required them to gain experience through trial by fire. When they failed—and make no mistake they did fail at some point, perhaps repeatedly—they got up, dusted themselves off, and tried again, in a cycle that would brook no obstacles and accept no limitations until the successful delivery of their vision to the market. So if you desire to be entrepreneurially creative, and become a job creator for the good of yourself and your country—take your well-formed vision and deep-seeded passion and get out and Do!

By Ron Lazof

Source: U.S. News http://www.usnews.com

GUEST IN MILAN – ENGLISH

29 Agosto 2012 Nessun commento

GRAND HOTEL ET DE MILAN. HOME OF HIGH SOCIETY SINCE 1863. IS LOCATED IN DOWNTOWN MILAN WHICH HAS PRESERVED ALL ITS NINETEENTH-CENTURY LUXURY BUILDING CHARM. IT HAS BEEN MANAGED WITH GREAT PASSION BY DANIELA BERTAZZONI. MANILO BERTAZZONI’S DAUGHTER. SINCE 1969 AND MORE RECENTLY SHE HAS ALSO INVOLVED HER DAUGHTERS. SARAH AND ALISSIA MANCINO, IN THE NFAMILY-RUN, STRAF HOTEL

 

Illustrious figures have stayed here: Giuseppe Verdi, who was a dominant figure of the Italian opera; composer Umberto Giordano who married Olga Spatz, the daughter of the then-owner of Grand Hotel et de Milan; the composer, Enrico Caruso; the painter Tamara De Lempicka who met writer Gabriele D’Annunzio in 1925 and fervently wanted her to stay with him at the Grand Hotel. Other notable figures include: Ernest Hemingway, Luchino Visconti, Maria Callas, Rudolf Nureyev, Vittorio De Sica, Giorgio De Chirico, Giorgio Strehler and Carmelo Bene. Under the management of the Bertazzoni family, the Grand Hotel et de Milan became a reference point for the world of fashion.

Grand Hotel et de Milan GrandHotel Grand Hotel et the Milano

Sarah Mancino and Daniela Bertazzoni

Daniela, what do you remember about the early days?We have been managing this hotel over 30 years. I remember so many happy moments with my brother Gerry. We organized dinners at midnight here in the salons of the
Sarah, at what point did you remember those wonderful times which your mother has described?
At first, I experienced all of it with a lot of fun, basically through the eyes of a child. I took over the business 9 years ago with the opening of Hotel Straf.hotel based on herring and beer rather than champagne and caviar! But most wonderful thing was my insight of the fashion world. At that time I was married to fashion photographer Manilo Mancino and we entered the prêt-a-porter world when we thought of renting spaces and transforming them into showrooms. This gave us enormous prestige. It was great fun! The hotel was full of mad, creative people! It took a lot of effort and responsibility, but it was very fascinating! I was the boss’s daughter, and though I had entered with great modesty, everyone eventually bowed-down to my ideas! We even ended-up having waiting list of companies that wanted to participate.

This business is run and dominated by women, how does this role make you feel? S. : It’s always been predominately women, in all areas of our business and life. There really has never been a man at home and out dad was generally coming and going. So, I’d say we are used to it. D. : The only male presence after the death of my father was my beloved and truly sensible brother, Gerry. He was always able to offer great creative input. S. : I never had any experience at a typically male-oriented company so I really cannot make a comparison

Sarah Mancino e Daniela Bertazzoni Gran Hotel di Milano

Sarah Mancino and Daniela Bertazzoni

but what I’ve gained from our experience is a genuine way of managing things; a mix of instincts, a typically strong, feminine intuition, observation skills and nose for things. My other is a master at this.  Then, there’s Alissia who is a unifier and consolidator, whereas I’m more focused on the creative aspects. There’s a real sense of family in our management of the hotels as well as with our staff and I think this is possible thanks to the presence of women at the helm.

Has your private life been affected by the position of power you have in your professional life? D. :

Yes, and how! With a few exceptions, there have been man who’ve made me pay for it. A woman who is professionally powerful brings some of that with her in her private life and men rarely tend to appreciate that. S. : I am less glamorous but I have a strong personality and inevitably personal relationships are affected. This has to do with one’s personality and not about posturing; and your personality you bring home with you!

Daniela, The Grand Hotel is like a child for you… I love this hotel in a physical way! It’s like my fourth child, the son I never had and all of the work done to it was done with tremendous love and in defense of everything that is antique without turning it into a museum and at the same time providing the necessary leve

l of modernity. I have protected it and will continue to protect it from any kind of excessive modernity in an effort to keep it going without make it seem artificial. It’s a real declaration of love! I’d also like to mention that we have a non-profit organization, which works to bring water to Mali by providing wells. We have already brought water to four villages. For every reservation made at our hotel, one euro is donated to our IN-VITA society.

best hotel of Milan Italy

Grand Hotel et de Milan


Sarah, will Straf also be involved in this initiative? We certainly will! We will also be holding fundraising events. Straf was established in 2004 to indulge our desire to manage a hotel property. It took three years of restoration work in order to turn it into a very modern Milanese hotel whereas the Grand Hotel is the most

historic one in the city. I became part of the family business when Straf opened. I didn’t have a truly defined role but I was prepared and I learned a lot on working on site and made headway. Passion is a key element in this; passion which then turns into dedication. The human aspect is very strong in the work environment, probably because it’s conveyed by us women.

Grand Hotel et de Milan – Interiors



What are the advantages or the disadvantages of being a female executive in the working world?            D. : As far as I’m concerned there are only advantages! If you are clever and do not lose your sense of being a woman, which women often tend to forget when they hold an important position, then a pretty smile and a seductive glance can certainly have its advantages in the male world. S. : Let’s not forget about that famously typical female intuition! It is critical to understanding who you are dealing with. D. : I would also like to clarify that mine is not so much about seduction as it about femininity. I relish my role and I’m good at it. When there’s I have to take someone on, I do so without getting into fight and use my femininity to speak to the person that did wrong. In essence we think that whoever is born a man, act like a man and if you’re a woman, act like a woman.

What kind of woman don’t you like? D. :The only kind of woman I loathe is the one who acts fake. After all, all women have their issues to deal with! But, a phony woman scares me. S. : I completely agree. I have a hard time dealing with that type of woman. I can recognize her, but have a hard time dealing with her. D. : You always have to act like you’re indulging to a woman who’s phony, so that you can do as you see fit.

By  SILVIA SBRIGLIO

 

For more information: http://www.grandhoteletdemilan.it/

GUEST IN MILAN – ITALIANO

29 Agosto 2012 Nessun commento

GRAND HOTEL ET DE MILAN, DIMORA DEL BEL MONDO DAL 1863. UN ALBERGO IN PIENO CENTRO A MILANO, CHE CONSERVA L’ANTICO FASCINO DI DIMORA DI LUSSO OTTOCENTESCA, E OGGI GESTITO CON IMMENSA PASSIONE DA DANIELA BERTAZZONI. FIGLIA DI MANILO BERTAZZONI CHE NE VOLLE LA GESTIONE DAL 1969, E DALLE FIGLIE ALISSIA E SARAH MANCINO, IMPEGNATI ANCHE NELL’ALTRO HOTEL DI FAMIGLIA, LO STRAF HOTEL.

Vi soggiornarono Giuseppe Verdi, figura dominante del teatro lirico italiano italiano, Umberto Giordano, compositore che sposò l’allora figlia del proprietario del Grand Hotel et de Milan – Olga Spatz, Enrico Caruso, compositore Tamara De Lempicka, che nel 1925 incontrò Gabriele D’Annunzio il quale volle ardentemente che ella soggiornasse al Grand Hotel. E ancora, Ernest Hemingway, Luchino Visconti, Maria Callas, Rudolf Nureyev, Vittorio De Sica, Giorgio De Chirico, Giorgio Strehler, Carmelo Bene. Con la gestione della famiglia Bertazzoni, il Grand Hotel et De Milan, divenne poi il punto di riferimento per il mondo della moda.

Grand hotel et de Milan Grandhotel di milano hotel lombardia

Sarah Mancino e Daniela Bertazzoni

Daniela, cosa rammenta di quel periodo?  Abbiamo la gestione di quest’albergo da oltre 30 anni. Ricordo tanti momenti felici insieme a mio fratello Gerry, organizzavamo cene di mezzanotte, qui nei saloni dell’albergo, a base di aringhe e birra, anziché caviale e champagne1 Ma la cosa più splendida è stata l’intuizione della moda. Essendo io allora sposata con il fotografo di moda Manilo Mancino, entrammo nel mondo del pret-a-porter cui pensammo di affittare degli spazi facendoli diventare show-room. Questo ci ha dato enorme notorietà. Era divertentissimo. L’hotel era pieno di gente creativa e pazza! Grandi fatiche e responsabilità, ma molto affascinante! Io ero la figlia del capo e, benché fossi entrata con molta umiltà, alla fine tutti s’inchinarono di fronte alla mia idea! Arrivammo perfino ad avere la waiting list di aziende che volevano partecipare.

Sarah, da quale momento ha ricordo del bellissimo periodo che la mamma ha descritto?  Vivevo tutto con molto divertimento all’inizio, con gli occhi di bambina, sono subentrata in azienda 9 anni fa con l’apertura dell’Hotel Straf.

Questa è un’impresa al femminile, guidata da donne, come vi sentite in queste vesti? S. : Noi siamo sempre state femmine, da tutte le parti! In casa non è quasi mai esistito un uomo, papà andava e veniva, donne sempre! Quindi siamo abituate. D. : L’unica presenza maschile, dopo la morte di mio papà, è stata quella di Gerry, fratello adorato e davvero sensibile, capace di dare grandi input creativi. S. : Io non ho mai avuto esperienze in aziende ‘al maschile’, quindi, non posso fare un confronto, però sento forte in quest’esperienza un modo di condurre molto genuino, istintivo e con una forte dose d’intuizione tipica delle donne, capacità d’osservazione e fiuto, in cui la mamma è maestra, poi c’è Alissia, che è ‘un’aggregatrice e consolidatrice’, e io, più attenta alla parte creativa. C’è molto il senso di famiglia nella gestione degli alberghi, anche nel rapporto col personale, e questo credo sia possibile grazie alla presenza femminile al comando.

La vostra vita privata ha risentito del ruolo di potere che avete nella vita professionale? D. : Sì, da morire! Qualche uomo me l’ha addirittura fatta pagare. Poche le eccezioni. Una donna che ha potere nel lavoro, un po’ se lo porta dietro anche nella vita privata, e a un uomo questo difficilmente fa piacere. S. :Io sono meno glamour, ma ho un carattere forte, e inevitabilmente i rapporti personali ne risentono. Si tratta di carattere, non di atteggiamento, e il carattere si porta anche a casa!

sara daniella hotel milano Grand Hotel et de Milan

Sarah Mancino e Daniela Bertazzoni

Daniela, il Grand Hotel è per lei come un figlio… Amo quest’albergo in maniera carnale! E’ il mio quarto figlio, il maschio che non ho mai avuto, e tutti gli interventi fatti sono stati dettati da immenso amore e difesa nei confronti di tutto quello che c’era d’antico, pur conferendo all’hotel quella modernità necessaria a non farne un museo. L’ho difeso e lo difenderò sempre dagli attacchi del modernismo eccessivo, nel tentativo di farlo vivere senza snaturarl: moderno, ma non museale. La mia è una dichiarazione d’amore! Vorrei anche menzionare la nostra organizzazione no profit che si occupa di portare acqua nel Mali attraverso trivellazioni nel sottosuolo. Abbiamo già dato acqua a quattro villaggi. Per ogni prenotazione un euro è devoluto all’associazione IN-VITA.

Sarah, anche lo Straf partecipa all’iniziativa?Più che mai! Anche attraverso eventi per la raccolta fondi. Straf è stato fondato nel 2004 per assecondare il nostro desiderio di gestire un albergo in proprietà,

grandhotel di milano

Grand Hotel et de Milan – Interno

un restauro durato tre anni, per trasformarlo nell’albergo più contemporaneo di Milano, mentre il Grnd Hotel è il più storico dell

a città! Sono entrata a far parte dell’azienda di famiglia dall’apertura dello Straf, non avevo ancora un ruolo ben definito, ma mi sono preparata e ho imparato molto sul campo., strada facendo. La passione è un ingrediente fondamentale, passione che poi diventa dedizione. Il livello umano è altissimo nell’ambiente lavorativo, probabilmente perché trasmesso da noi donne.Quali sono i vantaggi, o gli svantaggi, dell’essere donna di responsabilità nel mondo del lavoro? D. : Per quanto mi riguarda solo vantaggi! Se sei ‘furba’, e resti donna, cosa che spesso le donne dimenticano quando fanno un lavoro importante, con un bel sorriso e usando gli occhi velatamente seducenti avrai certamente dei vantaggi in un mondo maschile! S. : Non scordiamoci il famoso intuito, tipico delle donne! Che è fondamentale per capire chi hai di fronte. D. : Vorrei precisare che la mia non è tanto seduzione quanto femminilità. Io sguazzo nel mio ruolo, ci sto bene. Quando c’è da riprendere qualcuno lo faccio, senza per questo prenderlo a pugni, rivolgendomi alla persona che ha sbagliato con femminilità. In sostanza, pensiamo che chi è nato uomo debba fare l’uomo, e chi è nata donna la donna.

hotel a milano migliore lussuoso grandhotel italia

Grand Hotel et de Milan – Interno

C’è un tipo di donna che non vi piace? D. : L’unica tipologia che detesto è quella della falsa. Tutte le altre, in fondo, scontano la loro pena! La donna falsa mi fa paura. S. : Concordo appieno. Trovo difficile gestirla, magari la sento, me ne accorgo, ma fatico a gestirla. D. : Alla donna falsa bisogna dare sempre ragione, per poi fare lo stesso come dici tu!

 By  SILVIA SBRIGLIO

for more information: http://www.grandhoteletdemilan.it/

Blogueros y ciudadanía, claves del éxito de The Huffington Post

10 Agosto 2012 Nessun commento

Así lo explicó su directora Montserrat Domínguez en medio de una conferencia.

A menos de dos meses de la incursión del Huffington Post en español al mundo digital, este portal  ha conseguido convertirse en un referente para los medios de comunicación.

Con un modelo fresco le dio la bienvenida a los cibernautas el 7 de junio de este año. Nació en Madrid, fiel al modelo y a la esencia del diario The Huffington Post estadounidense, que ha hecho historia desde el 2005 bajo la dirección de Arianna Huffington, y que con un arduo trabajo le quitó el liderazgo a  The New York Times, se confirmó con un premio Pulitzer y hoy es seguido por millones de lectores a diario.

Para explicar las bases que han cimentado al Huffington Post en español, esta mañana su directora Montserrat Domínguez  estuvo en la Cuarta lección inaugural de la Maestría en Periodismo de la Universidad del Rosario y Publicaciones Semana. Aquí algunas de sus anotaciones.

Blogueros como columna vertebral

Desde sus inicios, el Huffington Post norteamericano quiso ser un canal de comunicación, participación y debate con los lectores y ciudadanos. Esto ha marcado la diferencia en el periodismo. Para conseguir tal interacción, los blogueros tienen total protagonismo dentro del medio.

En el portal español funciona igual. “Buscamos a gente de toda procedencia que le guste escribir, que tenga algo que contar. Desde diputados, expresidentes, actores, científicos, cineastas, activistas, bomberos, músicos, literatos. Muy pocos blogueros de nuestro medio son periodistas”, cuenta.

Incluso, en la búsqueda de diferentes voces, la directora contó que este miércoles el cantante colombiano Juanes publicó su primer blog en Huffington Post. En su paso por Colombia, Domínguez también invitó al presidente Juan Manuel Santos a escribir un blog, quien prometió enviar un texto en los próximos días.

A propósito de la polémica y críticas que se han replicado porque el Huffington Post no le paga a sus blogueros, la directora editorial enfatiza que no hay un vínculo laboral con ninguno de ellos. “Los que escriben en Huffington Post, lo hacen porque quieren y cuando ellos quieren. Así lo saben desde el principio”.  (Lean aquí la polémica por los blogs  y la demanda en la que el medio resultó ganador)

Importancia de las redes sociales

Los periodistas de Huffington Post se han encargado de potenciar su trabajo periodístico a través de Twitter, Facebook e Instagram. “Publican noticias, dan información relevante, hablan con nuestros lectores y debaten, además hacen fotos y las editan”, cuenta Domínguez.

En el medio han entendido que, las redes sociales además de ser un canal para atraer más lectores, (las redes sociales les dan el  20% de tráfico), son mucho más importantes para mantener ese contacto con la ciudadanía,  y fortalecer relaciones de colaboración y búsqueda alternativa de información.

La “cultura del enlace” como política

“No le tenemos miedo a citar a los demás. Muchos nos dicen que perdemos tráfico, pero en realidad es una ganancia”, afirma Domínguez.

Para la directora del Huffington Post en español, el medio ha potenciado la habilidad de descubrir información relevante en otros medios de comunicación, para complementar sus textos. “No se trata de robar información, sino de darle valor a lo que hacen los otros al enlazarlos”.

Cuenta que esta denominada “cultura del enlace” le da un valor agregado a su página. “Entre tanta basura que circula por la Web, el lector agradece y nos visita porque además de nuestra reportería propia, seleccionamos lo importante de otros sitios”, dice.

Huffington Post en Cifras

Visitas diarias: Entre 70 mil y 100 mil
Páginas vistas: 14 a 15 millones.
Usuarios en julio: Un millón 400 mil.

REDACCIÓN REDES SOCIALES

 

Source: http://www.eltiempo.com/gente/las-claves-del-exito-de-the-huffington-post_12086602-4

 

The New Smartphone Powerhouse: Huawei

8 Agosto 2012 Nessun commento

Sales of smartphones are booming, though very few phone makers have been rejoicing. Nokia (NOK) andResearch In Motion (RIMM) have seen their once-formidable businesses collapse into a mess of red ink and layoffs. HTC’s sales have tumbled. Once-proud Motorola Mobility has been acquired by Google (GOOG). Sony (SNE) and LG Electronics (066570) are confirmed also-rans.

Feasting on this wreckage are, of course, Apple (AAPL)and Samsung Electronics (005930), which between them have 54 percent of the global market. The other big winner: Huawei Technologies. A company many Americans haven’t even heard of may well have passed Nokia last quarter to become the third-largest smartphone maker, according to Horace Dediu, founder of equity research firm Asymco. That’s up from No. 7 at the end of last year. “They’re the guys that don’t get a lot of respect because they’re not big in the U.S.,” says Dediu. “But they’re looking at big numbers.”

After it was founded in 1987 by civil engineer Ren Zhengfei, Huawei quickly became China’s high-tech success story by selling telecom gear to phone companies, routinely beating rivals such as Alcatel-Lucent (ALU), Ericsson (ERIC), and Cisco Systems (CSCO) with good-enough products and great prices. Only in the mid-2000s did it start making cell phones. The Shenzhen-based company’s inexpensive, often unbranded models gained traction in China, the Middle East, and Africa.

Huawei kept this low-cost approach as it got serious about smartphones in 2009. The company didn’t try to build its own software operating system like Apple,Microsoft (MSFT), Nokia, or RIM. It used Android. And unlike Samsung, HTC, or Motorola, it didn’t try to differentiate Google’s mobile software with its own tweaks. “Huawei just slapped Android on some hardware and shipped it,” says ABI Research analyst Michael Morgan.

This year, the company expects to triple its smartphone sales to 60 million units, in part by taking a bigger chunk of the U.S. market. Until now, it’s sold handsets costing less than $200 to carriers such as MetroPCS and Cricket that offer pay-as-you-go plans, mostly to lower-income consumers. Last November it landed a deal with a top-tier U.S. carrier when AT&T (T) started selling Huawei’s Impulse phone for $29. On July 11, T-Mobile announced that Huawei would be building two models in the carrier’s MyTouch line of handsets. “We essentially made the market for affordable smartphones,” says William Plummer, Huawei’s U.S. vice president for external affairs. “We’re in a good position because we’ve established ourselves as a trusted partner to carriers.”

Not completely trusted, however. On Capitol Hill, the House Permanent Select Committee on Intelligence has been investigating whether efforts by Huawei and ZTE, another fast-growing Chinese telecom equipment and phone maker, to sell to U.S. carriers present a security risk, because the companies may have ties to the Chinese government. The Australian government has banned Huawei from bidding on a national broadband project. Congress has asked the State Department to investigate whether Huawei illegally exported embargoed technologies to Iran. For years, industry insiders have believed that Huawei has access to low-interest loans from the government. Huawei spokesman Francis Hopkins says the company is cooperating with the congressional investigation, gets no favorable loans from the Chinese government, and denies wrongdoing in Iran. It definitely has benefited from huge domestic broadband buildouts, says Jeff Heynen, an analyst with consulting firm Infonetics.

Succeeding in smartphones is not optional for Huawei if it wants to remain a fast-growing company. Its $23 billion-a-year telecom equipment business grew only 3.5 percent in 2011, before tumbling due to the slowdown in China’s economy this year, says Heynen. The company reorganized last year to create a separate Huawei Devices unit to drive what executives say is the company’s best growth opportunity. The division also makes laptop modems and other less-sexy gizmos.

Huawei’s growth rate may make it a plausible challenger to Samsung in smartphone sales, says Asymco’s Dediu. He argues that the Korean giant has prospered largely because of vertical integration; it makes many of the chips and screens that go into its devices. Yet he doubts Samsung has built up enough brand loyalty to withstand a much cheaper alternative. “Let’s not forget that Samsung itself was No. 4 or 5 just a few years ago,” says Dediu. “Samsung ought to be looking over its shoulder.”

As smartphones evolve from novelty technology into just another gadget, Huawei will be well positioned to benefit. “Their devices don’t have to have jet packs to do 90 percent of what most people need,” says Morgan of ABI Research. “The market is coming to them.”

 

The bottom line: Late last year, Huawei was No. 7 in smartphones. Now it may be No. 3—and is pushing hard to sell its inexpensive handsets in the U.S.

 

Source: www.businessweek.com

Challenges to Integrating Sustainable Product Design and LCA

6 Agosto 2012 Nessun commento

if there’s one common thread that binds product designers, researchers, and engineers, it’s the passion to create products that have a positive impact on the world. More and more, sustainability is an important facet of the impact we’re all striving to create. Consumers, retailers, and brands are quickly realizing that the best solutions are ones that are good for businesses, good for people, and good for the planet – forward-thinking product design firms already know this. The benefits of a slight reduction in the environmental impact of a single product that sells in the millions will quickly surpass the benefit of all the recycling and composting we could ever do in our offices.

While there are a variety of approaches to creating more sustainable products that have been around for years (e.g. the Eco-Strategy Wheel and Design for X), life cycle analysis (LCA) is now recognized as the most complete approach to depict a product’s impact. As an assessment tool, LCA is excellent, and can provide high quality information for reporting as well as for planning project re-designs. But when you’re neck deep in the development process, the product itself is a moving target. There’s truth in the old adage that “You can’t manage what you can’t measure.” The problem is, you can’t measure it if it doesn’t yet exist.

This article is the first of a three part series based on a collaboration between Carbon Design Group, a product design and development firm, and EcoShift, a sustainability and LCA consultancy. It looks at the complex challenges of sustainable product design, the current state of LCA practices and tools, and our vision of integrating sustainability throughout the development process. In this introductory piece, we’ll focus on why and how product development consultancies are stepping up to sustainability, and the significant challenges that arise from this.

 

Source:  www.carbondesign.com

 

 

Anyone who has worked for both a large corporation and a small, entrepreneurial company can talk endlessly about the differences in the two cultures and mindsets.

4 Agosto 2012 Nessun commento

Anyone who has worked for both a large corporation and a small, entrepreneurial company can talk endlessly about the differences in the two cultures and mindsets.

In this post, I look into these differences and the challenges they cause. It is a long post based on my latest book, Making Open Innovation Work. You can download it for free at this link : – )

The 7 key differences between big and small companies when it comes to innovation are:

• Speed of decision-making
• Attitude toward risk
• Allocation of resources
• Who understands the business model and who manages it:
• Processes or lack thereof
• Following rules versus breaking rules
• Differering definitions of innovation

Before I get into each of these differences, I would like to start out with a response I got to an earlier blog post on how the two types of organizations approach open innovation. The response was given by Russ Conser from Shell’sGameChanger program. Here’s what he said:

“Stefan, as is often the case, you’re on the right track—SMEs need big companies as much as big companies need SMEs. The trouble is that it’s a classic example of one being from Venus and the other from Mars. Precisely because they’re different and they need each other, they often come into conflict early in a relationship. Us big-company guys still have plenty to learn about how to work with SMEs without killing the very things that make them valuable (e.g. creativity, flexibility). Meanwhile, SMEs also need to learn to have realistic expectations of what they have and what they still need if they want to make their ideas real—much of which can often be found in the hands of the corporate types (e.g. financial resources, complementary skills, or practical context).

My experience is that most often there’s more than enough value at the intersection for both to be happy with the gains of a relationship, as long as they don’t kill each other in the process of creating it.”

Here’s another comment worth noting on culture from an anonymous poster in response to one of my blog posts: “Smaller firms tend to be younger and more entrepreneurial. The ‘can do’ spirit of innovation is often alive and well and a key part of their DNA (think Silicon Valley start-ups vs. Fortune 500s. As firms grow, this creative energy gets slowly squeezed out as the corporate focus turns to quarterly performance (vs. a longer-term view), stable operations (vs. disruptive innovations), and productivity improvements (vs. investing in growth).”

The differences that can cause problems when big and small companies come together for open innovation can be stark. Let’s look at a few that impact the way the two types of organizations approach open innovation:

• Speed of decision-making: Large corporations, with their abundance of silos and bureaucratic levels, often require considerable time to make decisions. Analysis paralysis is not uncommon, with decisions that seem simple to an outsider taking ages to make. In contrast, in smaller organizations, decision-making can be fairly rapid.

Thus, when these two types of organizations come together in open innovation, the smaller company may find the speed of progress frustratingly slow. At the same time, the people from the large corporation may be troubled by the constant pleas of the smaller partner to move faster. Both sides may be left feeling that the other side just doesn’t understand them.

Intuit, a California-based maker of financial software, is one corporation that has worked hard to overcome this problem. They understand that the reply time they can offer potential partners in their ecosystems is critical. As a result of this understanding, they try to provide a clear go/no-go within just forty-eight hours when they stage their Entrepreneur Days. This can take weeks or even months for many other companies.

• Attitude toward risk: How large and small companies feel about risk-taking can vary considerably. Particularly where the smaller company is a start-up or still in a fast-growth stage, the organization at all levels may wholly embrace risk because, at this point, the whole business is a risk. However, in a large corporation that has been around for decades, people may be far more vested in keeping things as they’ve always been than they are in trying something new and potentially risky. Here again, this difference can lead to frustration on both sides when two such organizations engage in an open innovation partnership.

Here’s another aspect of this difference as described by Bengt Järrehult, director of Innovation and Knowledge Management at SCA Hygiene Products and SCA Packaging, in a comment to my blog post on this topic: “The biggest difference as I see it is the balance between the defensive and offensive behavior. The bigger (and often the more mature) the company is, the more the company has to lose, and as ‘losses loom larger than gains’ (Tversky & Kahneman) the behavior of the larger, mature company gets more defensive and hence the relative focus on more potentially breakthrough innovations versus continuous improvements decreases.”

Obviously, if a large company and its smaller open innovation partner differ in terms of what type of innovation they should seek—breakthrough versus incremental—this can cause their partnership to fail. This is why clarity of purpose from the get-go is so important.

Edward Thompson, an advisor in the telecommunications industry, also weighed in on the topic of risk: “Big companies certainly can innovate. They have the required resources and deep talent pools. However, big companies are often very risk adverse, so it’s difficult to get a particular business unit or division to adopt an innovation that is not exactly in their market or technology sweet spot. True innovation often requires a company to embrace a totally new market space. Big companies are very reluctant to take any sort of risk associated with entering a new field.”

• Allocation of resources: In a small company, every penny counts. Resources, which can be scarce, are allocated based almost solely on whether they will boost the bottom line. This bottom line focus may not be so distinct in a larger corporation. With more abundant resources—at least in comparison to smaller companies—people in corporations may be relatively free spenders, although this is certainly not always the case and hasn’t been in recent years as the recession has taken its toll. However, the small company may expect its larger partner to foot every bill and may not understand that even big companies have their limits. The result of such a relationship can be similar to problems that arise when two people with very different attitudes toward money and spending get married.

• Who understands the business model and who manages it: Here’s an astute comment Michael Lachapelle, a Canadian expert on business design and business models, made in response to a blog I wrote about the differences between large and small companies when it comes to innovation:

“One of the considerations in driving innovation is who understands the business model of the company. In a small company it is much more likely that everyone in the company understands how the company works and how the individual parts will combine in the business model to create and deliver value to the customer/client.

Larger corporations tend to be much more fractured, and thus the staff is less likely to understand the whole. In this context innovation affecting the whole company can be a hard, long-term task, as one has to build a common understanding and mobilize around very different views of the company. Innovation is more likely to occur at business or product line level, then at a whole of company level.

A second consideration is who manages the business model. In big corporations, people feel responsible for only their portion, or sphere, of control. This control is manifested in being able to influence decisions or budgets, or being able to define meaning within the context of the business.

There are only a few people who “control” the whole organization, so innovation of the company has to be managed and driven by the senior executives. The more “distributed” control over the key areas of decisions, budgets, and meaning, the more difficult it is to drive innovation.”

Both of Michael’s points can lead to frustration for smaller companies when they try to engage with larger corporations in open innovation. Small companies may sense a lack of passion among corporate employees who don’t understand the whole business model, and the layering of control in corporations will often lead to slow decision making, as already mentioned.

• Processes or lack thereof: Many small companies don’t yet have defined processes in place to drive innovation forward. This is one of the areas where partnering with a larger company can really benefit them. Ironically, however, as someone pointed out in a comment on my blog, while “in theory, this dimension should go to the big guys who tend to take the time and effort to embed systematic processes,” this isn’t always the advantage that it might first at seem.

He continued, “I’m a big believer that innovation can benefit from process, tools, and governance and is not just a matter of divine inspiration—although that helps too! However, in practice, not many big firms have GOOD radical/blue ocean innovation processes. They tend to be good at incremental innovation (smaller-scale product improvements or extensions) because (1) this is their bread and butter and so they have dedicated resources focused on this, and (2) radical innovation is high risk and highly disruptive to a large organization from a resource, capital, and management focus perspective.”

• Following rules versus breaking rules: Mark Palmer, a communication advisor, added that “big companies preoccupy themselves with competitors, the market, and the rules. Small companies are more inclined to make up new rules.” This relates to some of the benefits of working with small companies as mentioned earlier. Of course, rules should be followed, but sometimes they do need to be bend—or perhaps even be broken—to make real progress.

Those large firms that are still strong innovators (Google, Apple, P&G, 3M, etc.) tend to be the exceptions that have continued to foster a great culture of innovation while also embedding strong processes that help nurture breakthrough ideas in the challenging confines of large, bureaucratic structures.

At an open innovation conference I attended, Cisco said it is trying to move from a culture of competition to a culture of shared goals, a move largely driven by a desire to innovate with external partners. Open innovation has the potential to change much-outdated corporate thinking beyond the “not-invented-here” culture.

As you work with external partners, you are exposed to other ways of getting things done. You bring diverse thinking into the organization. This can make you consider whether your current practices are good enough, or whether you have to adjust these or perhaps even develop new next practices for your organization. An example: you get new perspectives on collaboration. Perhaps this can inspire to better interaction and collaboration between business units.

That’s said, large companies have always used their size and power to get things their way. This is no different with open innovation. So I am not surprised when I listen to people from smaller companies complain about the behaviors of large companies when they start working together.

Such behaviors were confirmed by several large companies at an Open Innovation Summit I attended some time ago. There, executives from large corporations openly shared stories on how they had used their size and corporate power to get deals that favored themselves, and they even admitted that some deals could be so lopsided that they could discourage other smaller companies from working with them. Only half-joking, they also said that their view of win-win situations goes like this: “We win a lot. You win a little.” Or, “Win-win means that we get to kick the little guy twice.”

At least some larger companies are aware of this situation. I predict that as more large and small companies innovate together, larger companies will realize they can no longer afford to tarnish their reputation by behaving badly in such partnerships. They’ll begin to understand how important it is to be perceived as the preferred partner within their industry.

• Differing definitions of innovation: In response to a blog post I wrote about the differences between large and small companies, Jackie Hutter, CEO and IP strategist at Evgentech, a company with patent pending technology that greatly improves battery charging speed, made the following insightful comment based on her experience:

“One thing I have noticed with my own company is that there can be a real disconnect between the meaning of “innovation” between small and large companies. Some—perhaps most—large companies view innovation as a “super” product development team. These are the folks who look for breakthroughs, but these so-called “breakthroughs” are expected to slot into an existing product or project at the company. In contrast, at a start-up the “innovation” is their whole business, and developed wholly independently of the products and timelines of the large company.

We have already seen this when a Fortune 500 company selected us through an open innovation portal. The company was supposedly looking for innovations like our technology, but they effectively wanted it to fit into their existing infrastructure without much modification. They didn’t see that our technology could change the game for them because they were playing a different game than us. But even if they had seen that we were different, they wouldn’t have cared because they liked the game they were playing.

Fortunately, we were able to see that this company was not going to be a good partner, and we didn’t burn much time on them and moved on quickly. (They seemed a bit surprised when we effectively told them, “we’re not that into you.”) We learned much from this experience, and have modified our potential partner intake to specify “strong innovation mindset” because we recognize that unless a company is already wired to understand the opportunities that our technology will provide their company, they have a low likelihood of being successful in getting to market with our disruptive technology. And, if they aren’t successful, we won’t get paid.

Source: www.15inno.com

999 Bottles launch buzz: Fastco, Mashable, Treehugger, HuffPo and others

3 Agosto 2012 Nessun commento

We closed the first week on Kickstarter with a splash! Almost 400 people have pledged to help us make the first run of 999Bottles a reality, bringing us close to 20% of our goal! We will be sharing some news in the next few weeks, but first we wanted to thank the great support from the press!

“The 999Bottle is the work of Fernd van Engelen at Artefact. It’s a smart, simple way to make the impact of a reusable water bottle more tangible; putting a number on it makes it more of an accomplishment[…] It’s a conversation starter, too, not to mention that the bottle itself looks great, made of stainless steel with a rubberized base.” Alex Dravis, Treehugger

“…these sobering facts have sparked the reusable bottle movement over the past few years, Ferd van Engelen and his colleagues at the Seattle based Artefact Group have taken it a step further, creating the 999Bottles water bottle, a 24 ounce reusable water bottle that allows its users to see exactly how abandoning disposable plastic bottles can help sustainability” Drew Guarini, Huffpo

“Late last year, Artefact shared with us a unique concept for a reusable water bottle. It was nice to look at, to be sure, but the truly innovative twist was it reinforced the virtuous choice to forgo the plastic variety: a built-in dial would allow users to keep track of how many plastic water bottles they were saving from a landfill, and an app would help them visualize their environmental impact. Back then, our question to Artefact’s Fernd van Engelen was: “How much money would you need to bring this concept to reality?” He replied in the form of a Kickstarter campaign” Belinda Lanks, Fastco

 

Source: http://www.artefactgroup.com/#/content/999bottles-launch-buzz-fastco-mashable-treehugger-huffpo-and-others

The Fancy La red social – E- commerce, el futuro del comercio digital

31 Luglio 2012 Nessun commento

 

Elegante, cool y marcando todas las tendencias es como se describe asi mismo the fancy, la red social que segun la revista forbes “Es un portal de comercio en linea seguro y sin ataduras”, desde su lanzamiento, el portal ha hecho posible tener mas seguidores gracias al sistema de ventas que The Fancy maneja en donde los productos mas exclusivos son seleccionados por los mismos usuarios para que cada comprador  obtenga la mejor seleccion de lods productos mas cool sin que deba acceder al buscador.

 

 

Con mas de 2000 marcas inscritas el objetivo de The Fancy es convertirse en el nuevo amazon y segun ellos estan marcando el futuro de las ventas por internet, a diferencia de pinterest, The Fancy presenta un modelo de negocio tomando muchas mas ventaja mercado han marcando la tendencia en el comercio digital.

 

 

The Fancy apuesta todo con tal fuerza que mas de 15 mil usuarios se estan uniendo diariamente a esta red social que ya cuenta con mas de un millon de usuarios llamando la atencion de las grandes marcas a nivel mundial. The Fancy funciona de la siguiente manera, los usuarios publican un producto que les gusta con el enlace de la compania que lo fabrica o el servicio que presta, luego los usuarios presionan el boton “Fancy it” sobre ese producto y entre mas Fancy’s reciba el producto mas posibilidades tendra de aparecer en el home de los productos mas populares dentro de la red social.

 

 

Entre sus inversionistas se cuentan cerebros de las redes sociales como Jack Dorsey (el creador de Twitter), Maynard Webb (exdirectivo de E-bay) y Chris Huges (uno de los fundadores de Facebook); empresarios de la moda de la talla de François-Henri Pinault (presidente de PPR) y grandes nombres de la industria del entretenimiento como Bob Pittman (creador de MTV) y Ashton Kutcher.

 

 

Si los números de esta joven red social siguen así, no sería raro que dentro de unos años hablemos de The Fancy como pionera del e-commerce.


Galleria Hernandez El Otro, El Mismo ERNESTO MORALES – FEDERICO COMELLI FERRARI

27 Luglio 2012 Nessun commento

Opening 27 Settembre 2012 
h 18:30


dal 27 Settembre 2012 al 28 Ottobre 2012

 

Una nuova galleria in zona Stazione Centrale – P.ta Garibaldi dedicata

alla promozione del dialogo culturale tra l’Italia e l’America Latina.

 

 

Apre a Milano Galleria Hernandez, una nuova galleria in zona Stazione Centrale – P.ta Garibaldi ristrutturata e ricollocata nei vecchi spazi della Tipografia Linati

La galleria è guidata dalla direttrice Consuelo Hernandez che ha maturato una lunga esperienza artistica collaborando con varie gallerie in zona Brera e avendo ricoperto l’incarico di Assistente alla Cultura del Consolato Generale della Repubblica Bolivariana del Venezuela a Milano.

Obiettivo di questo ambizioso progetto è sostenere e approfondire il dialogo culturale fra l’Italia e l’America Latina, organizzando scambi fra artisti, gallerie ed istituzioni all’interno di uno spazio specializzato nella promozione di artisti sudamericani, accompagnando il pubblico alla comprensione e alla conoscenza della cultura latino-americana e all’apprezzamento dei giovani talenti italiani che non trovano collocazione nel panorama artistico milanese.

In quest’ottica, la mostra d’apertura corrisponde a queste finalità affiancando in una bi-personale le ricerche del pittore argentino Ernesto Morales (Montevideo – Uruguay, 1974) e del fotografo italiano Federico Comelli Ferrari (Brescia, 1980).

Il titolo della mostra, “El Otro, El Mismo”, omaggio alla letteratura argentina di Jorge Luis Borges, interpreta immediatamente il dialogo tra cultura latino-americana e italiana nelle poetiche dei due artisti, che sono l’una diversa dall’altra, perché si fondano su presupposti artistici, stilistici e culturali differenti, ma al tempo stesso medesime per quanto concerne i temi indagati della luce, del mistero, della metamorfosi e del surreale.

“L’Altro” quale sinonimo di mistero, di impermanenza, di atmosfere misteriose e lontane, evanescenti e irreali che caratterizzano nel medesimo tempo i quadri di Ernesto Morales che le fotografie di Federico Comelli Ferrari.

Cosmopolita ma fermamente legato alle proprie radici latine, Ernesto Morales ha realizzato numerose esposizioni internazionali ottenendo riconoscimenti sia in Sud America che in Europa. Stabilitosi in Italia, ha sviluppato la sua poetica attraverso cicli tematici coerenti che si privilegiano l’uso della pittura come linguaggio totalitario, in un’ossessiva indagine metalinguistica sul significato del gesto espressivo in relazione con la ricezione dello spettatore.
 Tra metafore e simbologie, la ricerca di Ernesto Morales ricorre a pochi elementi essenziali che vanno a creare una situazione sospesa tra mondo reale e dimensione mentale.

In questa serie di opere, la pittura di Ernesto Morales si propone di visualizzare la vaporosità della luce all’interno dello scenario paesaggistico di un bosco. Come afferma il pittore “è sulla trasformazione della luce – come metafora – e del bosco – anche questo come metafora – che s’incentra il mio progetto”.

La dimensione dell’irreale è rafforzata dalla scelta di colori monocromi stesi attraverso graduali sovrapposizioni e velature, che svelano e nascondono il mondo tangibile, instillando il dubbio di una temporalità sospesa che si dipana tra i concetti di materico e spirituale, di etereo e concreto, di micro e macrocosmo.

Il paesaggio, attraversato dal volo di essere volatili, forse gli stessi eppure in movimento progressivo, diventa incarnazione del tema della migrazione, dell’esilio, del viaggio (esteriore ed interiore) come condizione stessa di cambiamento e rivelazione.

I fotogrammi plurimi e incrociati di Federico Comelli Ferrari si costruiscono mediante un lento processo di post-produzione fotografica che permette all’artista di selezionare, scegliere, sezionare e ricucire un frastagliato e composito collage di segni e forme geometriche che restituiscono l’architettura di città e metropoli.

 

Un’operazione meccanica e minuziosa che il fotografo ha esercitato sia nei confronti di paesaggi urbani italiani (da Torino, da Roma) sia di scenari esotici ed estranei come Istanbul, La Havana, il Cairo, e la Malesia.

Non mancano scatti più complessi e “sperimentali” che rimandano ai luoghi misteriosi della Lombardia, come i paesaggi dell’orrido di Bellano, spazi inquietanti e fantastici, che si dispiegano davanti allo spettatore come fossero una realtà nuova, totalmente immaginaria e fittizia, che nondimeno restituisce il sapore di un luogo, i colori, i rumori e le sensazioni percepite dal vero.

A livello stilistico, le opere di quest’ultimo progetto presentano un viraggio a tonalità ricorrenti di colori e il ricorso a una certa simmetria e specularità quale volontà di riorganizzazione formale del campo visivo.

Nell’ecclettismo e nella visionarietà delle immagini di Federico Comelli Ferrari si coglie la volontà di ritornare alle origini dei luoghi e delle loro tradizioni, nel desiderio di aderire a un pluralismo, a una diversità, a una ricomposizione che ridefinisca i criteri di aperura alle molteplici e differenti culture del mondo.

El Otro, El Mismo

ERNESTO MORALES e FEDERICO COMELLI FERRARI

Mostra bi-personale a cura di Chiara Canali

Opening 27 Settembre 2012
h 18:30


dal 27 Settembre 2012 al 28 Ottobre 2012

catalogo in galleria

Galleria Hernandez

Via Copernico, 8 Milano. Italy.

Tel. +39 338 5805011

info@galleriahernandez.com

www.galleriahernandez.com

L’ecovillaggio made in Brianza in mostra al Maxxi di Roma

9 Luglio 2012 Nessun commento

Rimarrà esposto in maniera permanente al Maxxi di Roma come unico prototipo del suo genere tra i 10 progetti scelti. Si tratta di NuEvo, un modulo abitativo progettato e realizzato in Brianza da un gruppo di imprese che hanno fatto sistema e hanno sviluppato un contratto di rete – InfraBuild – per creare sul territorio e diffondere a livello nazionale il progetto a cura dell’ architetto Federico Pella di Sering.

Dietro a NuEvo, ovvero il modulo-base di EcoVillage, in esposizione a Roma, c’è una una filiera di una ventina di aziende lombarde ed in particolar modo brianzole, legate a Confindustria Monza e Brianza che hanno deciso non solo di

 

progettare ma anche di sviluppare un modulo abitativo che si basa sul l’utilizzo di tecnologie costruttive sostenibili e sistemi energetici all’avanguardia, e che può portare allo sviluppo di ecovillage, villaggi e quartieri auto-sostenibili, sia a livello funzionale che energetico.

Le imprese che lavorano al progetto: Bms im- pianti, Lettera g , Giovanardi, Parà, Malegori,Officine Locati, Seccar, Vetraria Cogliati, Resin-glas, Masserdotti,  Nice, Graniti fiandre, Fontana Arte,Visal Serramenti, meregalli impianti, Prisca design, Comoparquet, Infrabuild.

 

Al Maxxi di Roma sono invece esposti fino al 29 luglio i prototipi di case ecologiche costruite sulla base dei progetti vincitori del Consulto Eco_Luoghi 2011.

 

To know more about this project visit: www.nuevoformat.it

Empresas emergentes de diseño que superan todas las expectativas.

4 Luglio 2012 Nessun commento

Una vez mas, destacamos a las empresas internacionales con mayor reconocimiento entre diseñadores y empresarios con grandes y pequeñas compañias de innovacion.

Empresas de diseño, publicidad de productos, innovacion y entre otras, forman parte del menu de compañias reconocidas por su exelencia en diseño y productos innovativos.

Para la mayoria de las compañias, los resultados obtenidos en el ultimo año son el reflejo del buen momento del sector de la innovacion y los avances logrados en competitividad, que les ha permitido enfrentar a jugadores de talla internacional que cada dia intensifican sus esfuerzos en quedarse con la mayor tajada del mercado. Los clasicos autores, grandes nombres que ahora tienen competidores de gran talla, ahora no hay kartell o Alessi que no se asuste delante de estas innovadoras compañias.

Ocupar los primeros lugares y mantener sus posiciones en una o varias categorias incluidas en el portafolio no ha sido facil pero nosotros hemos hecho un exclusivo filtro con una breve reseña de las mas sobresalientes, lo que ha hecho que la competencia no solamente se haya convertido en un reto para las empresas mas grandes, si no para las de menor tamaño, al punto de que varias de ellas han logrado, año tras año, ascender en la clasificacion de las mas exclusivas.

Para nosotros, uno de los aspectos mas relevantes del estudio es la destacada presencia de pequeñas empresas que han logrado un posicionamiento significativo, al punto que las coloca en la lista de las mas reconocidas a nivel mundial.

Al igual que en los años anteriores, el estudio se realizo teniendo en cuenta los aspectos mas importantes que deben tener las empresas para alcanzar el exito: innovacion, calidad, estrategia de mercadeo, admiracion en el circulo del design y del publico en general, exclusividad y diseños unicos. En la siguiente lista hemos destacado las mas relevantes del mercado:

Fred & Friends:

Este gran sitio web se ha enfocado en productos “bien diseñados” segun su fuente, solo para imprimir una sonrisa en la cara de aquellos que adquieren cada producto sin tener que pagar una fortuna, los productos son faciles de comprar y al adquirirlos se llega a tal punto que cada persona sienta que ha hecho de su casa un castillo.

Para conocer mas de fred & friends haz click sobre el siguiente link: www.fredandfriends.com 

Yeople:

Con esta nueva propuesta en el mercado , Yeople es hoy en dia un sitio fresco, siempre con nuevas ideas haciendo enfasis con su genialidad y simpatia en un diseño excelente, la idea de cada producto es pensada como una idea inteligente y para todos los ambientes, diseñada para gente Joven en busca de productos unicos que los identifiquen, Yeople el acronimo en ingles de “young people”, sin duda alguna es una apuesta de gran en peso el mercado de la innovacion, productos hechos por gente joven para gente joven.

Si quieres saber mas de Yeople haz click sobre el siguiente link: www.yeople.com

Atypyk:

Joven, cool y original, atypyk la francesa con cientos de productos interesantes en su stock cada uno de ellos tan original como los otros, esta compañia ha ascendido hasta alcanzar una de las posiciones mas exclusicas con productos unicos y divertidos, al mismo tiempo productos clasicos que desearas obtener.

Para saber mas de Atypyk haz click en el siguiente link: www.atypyk.com

Suck Uk

Por que llamar una compania Suck UK? Ellos tampoco lo saben, pero pueden decirte lo que si es Suck uk como una compañia de diseño, La idea de innovacion para estos ingleses es tener una marca propia donde se puedan encontrar los mejores regalos y accesorios originales, como proveedores en todo el mundo ellos continuan mezclando todo el sentido del humor con el sentido del estilo para hacer cosas simplemente unicas.

Para obetener mas informacion de Suck UK haz click en el siguiente link: www.suck.uk.com

Meninos Store

Meninos es una marca de productos creativos y exclusivos, divertidos y funcionales para decoracion, pensado para “gente joven de todas las edades”

Los diseños son hechos para la gente con un estilo de vida moderno, para aquellos que disfrutan la innovacion y cultivar por siempre el espiritu joven, divertido, vintage y tecnologico

Para Saber mas de Meninos Haz click en el siguiente link: www.meninos.us

Decor Craft DCI

Es una empresa de productos de consumo basados en el estilo de vida de la gente, en DCI Craft fusionaron el fashion con la innovacion, todos los conceptos de diseño ofrecen productos de varias categorias, cocina, baño, casa, niños y todas giran alrededor de lo divertido y unico.

Para saber mas acerca de los productos de DCI haz click aquí: www.dcigift.com

By

Andres Barragan.

Is not about a simple idea, is about innovation. “Coolest magazine the most innovative online magazine for design lovers”

18 Giugno 2012 Nessun commento


Coolest magazine is going into 3 years of publishing products between artists, designers, entrepreneurs and innovative company’s. This magazine seeks to uncover design excellence and advocate for design value. we love the cool products and we also love to understand the process of getting there. we see design driving growth and innovation all over the world.

Coolest magazine, Cool prducts

For design lovers and exclusive minds:


For this magazine the design is the originator of the tools wich have allowed our world to progress and evolve. We have always been claiming that virtuos behaviours are prerequisite conditions to start off.


The magazine was maked as a mix of design and innovation. Also provides information on photo, new products reviews intended to aid creativity and enhance enjoyment of design, articles over full HD pictures, The product of the month, The Coolest gift section and the selection cool product campaing every 3 months.


By


Andre Cavallazzi.


For more information about this web page visit www.coolestmagazine.com

Coolest magazine: “La revista mas Cool en la Web”

18 Giugno 2012 Commenti chiusi

El gran crecimiento publicitario de la web ha sido calificado como el nuevo mercado del desarrollo y la innovación para pequeños y grandes empresarios de talla nacional y mundial que han podido generar y gestionar sus compañías en la web para dar a conocer sus productos y venderlos alrededor del mundo.

Coolest magazine, Cool products, the best products, los majores productos

Es el caso de Coolest magazine, hoy en día una compañía en crecimiento, la cual ha iniciado la formulación de su plan maestro con el objetivo de dar un punto de vista amplio y global sobre aquellos productos que toda persona desearía obtener, según sus creadores no es fácil obtener información de este grupo de personas que innovan como es el caso de los designes y emprendedores, “buscamos los mejores productos, por eso hemos seleccionado cuidadosamente cada uno de ellos, para dar el punto de vista mas objetivo posible donde cada designer sienta que hace parte de un grupo exclusivo”.

Mas que una simple idea funcional, buscamos innovación”,En estudios previos al lanzamiento del portal, se invirtió gran tiempo a la búsqueda de sitios web con la misma temática, y en colaboración con un grupo de emprendedores y designers el desarrollo del proyecto se baso sobre aquellas debilidades que se generan a la hora de emprender con un producto especifico y las dificultades que se presentan para promocionarlo en la web de una manera sencilla y amigable con el usuario. Es por eso que la idea se desarrollo alrededor de un ambiente muy pintoresco, con una manejabilidad lógica y rápida para el usuario.Coolest magazine, The best kitchen, cool kitchen best kitchen design

Siendo un gran centro de enriquecimiento no solo para los amantes del design, si no para aquellos diseñadores que por medio de esta web han podido dar a conocer sus productos a millones de internautas que diariamente navegan sobre la internet, La motivación del sitio surgió para empezar una gran comunidad donde cada producto está abierto a la crítica del público y de otros designers, lo que en poco tiempo ha llevado cada vez a que mas personas conozcan y se introduzcan en esta nueva comunidad adquiriendo un nivel de conocimiento sobre los productos mas Cool en su mayoría desconocidos por el publico pero que sin duda alguna desearías tener.

En los próximos años Coolest magazine dedicara todos sus esfuerzos al apoyo de pequeños empresarios y seguirá trabajando para que esta comunidad “Cool” siga en constante crecimiento.

By Andres Barragan.

Para mas informacion acerca de esta web, haz click en el siguiente link, www.coolestmagazine.com

Così Magazine – INTERVISTA A PATRIZIA DE SANTIS, AGENTE SPECIALE.

26 Maggio 2012 Nessun commento

 COME SI TRASFORMA UN’ARTISTA IN UN …DIVO?

CE LO RIVELAUN’ATTRICE, REGISTA, AUTRICE MA, SOPRATTUTTO, GURU ITALIANISSIMA, AMICA E PROMOTER DI IVANA CHUBBUCK, L’ANGELO CUSTODE DI HALLE BERRY, BRAD PITT E CHARLIZE THERON

Patrizia de Santis, nasce come attrice, aveva solo 10 anni quando  inizia a  recitare nei teatri, ad appena 13 anni inizia ad ricoprire i primi ruoli  da protagonista ed a 18 arrivano i primi riconoscimenti e premi come migliore attrice.

 

Patrizia, già a venticinque aveva  acquisito una solida formazione artistica globale  sia come attrice che come regista, infatti, grazie al lavoro del padre agli Esteri ed alla Farnesina, ebbe l’opportunità di studiare in diversi paesi d’Europa, frequentando diverse accademie internazionali e conseguendo attestati e specializzazioni in Francia, Svizzera e Germania. In Italia a 26 anni, consegui’ la sua prima laurea in discipline dello spettacolo, varie borse di studio e due  diplomi di specializzazione riconosciuti dalla regione di insegnante di discipline attoriali e di regia, seguiranno poi infiniti corsi e Master di specializzazione, la seconda laurea in Lettere con il 110 e lode, il suo libro in uscita edito dalla Curcio, la sua l’ultima lunga esperienza ad Hollywood e l’ufficiale apertura della sua Agenzia di spettacolo a Roma in collaborazione con la CAA di New york e di Los Angeles.

 

D:Come è avvenuto il passaggio dalla scena al dietro le quinte, fino ad arrivare al tuo attuale lavoro di Agente di spettacolo professione che ricopre ormai da 15 anni?

 

R:Ho sempre amato e perseguito  l’arte  e lo spettacolo in tutte le sue forme, così quando quindicici anni fa mi si presentò l’occasione di occuparmi di produzione teatrale, di televisione e di management ho scelto  di intraprendere questa nuova professione. E’ stato un lunghissimo e faticoso percorso, nulla mi è stato mai regalato, ma ogni  risultato e stato il frutto di duro lavoro portato avanti con determinazione, costanza, studio e tanta passione, una lunghissima gavetta, affrontata sempre con dignità, serietà,  professionalità ed entusiasmo al servizio dell’arte ed in collaborazione con grandi e grandissimi artisti che hanno fatto la storia del teatro, della  televisione e del cinema italiano.agente dei VIP BRAD PITT ENRIQUE LUIS SARDI

In tutti questi anni, ho avuto la fortuna di lavorare sempre con strutture altamente accreditate e professionali, per poi  arrivare a dirigere importanti  Agenzie, curando, gestendo e spesso riposizionato l’immagine ed il lavoro di artisti di fama nazionale ed internazionale

 

D:Tutti i suoi assistiti parlano di lei come di un Agente particolare, quasi di un Agente Combattente. L’abbiamo vista in diverse  trasmissioni televisive, come ad esempio  all’”Italia sul due”, in difesa della categoria, inoltre una delle sue assistite, la splendida Gloria Guida, in tutte le  interviste parla di lei come di un meraviglioso angelo custode, che con forza e tenacia l’ha spinta a uscire dal guscio dopo 30 anni ed a tornare al cinema ed alla televisione con  risultati sorprendenti.

Altri suoi assistiti parlano di lei come di un Agente coach, regista e  autrice, infatti, in certi casi, sappiamo che è lei l’autrice dei pezzi comici di alcuni suoi assistiti e che prepara personalmente i suoi attori per i provini cinematografici in italia e all’estero.

Senza parlare del suo impegno nella cura e nella promozione dell’immagine dei suoi assistiti, sappiamo infatti che si occupa personalmente della comunicazione stampa e dell’organizzazione degli eventi finalizzati a promuovere i lavori ed i progetti degli artisti che cura.

In molti si chiedono come faccia a portare a termine  queste eccezionali operazioni ed a indicare percorsi artistici che si rilevano sempre vincenti. Qual è il suo segreto?

 

R:Nessun segreto ma solo la consapevolezza che appoggi e compromessi non pagano ed a lungo andare degradano l’arte e l’artista stesso. Certamente in taluni casi, compromessi e appoggi possono portare ad ottenere un successo facile e senza meriti, ma si tratta solo di un temporaneo successo commerciale che svanisce presto nel nulla.

A mio parere, Il vero segreto per un’Agente  è invece quello di non lasciare nessun dettaglio al caso, curare l’artista a 360 gradi  con il massimo dell’attenzione. Ritengo che un artista di valore sia un’opera d’arte in se, pertanto va curato e tutelato come tale. Sono profondamente convinta che per poter “vendere arte” senza degradarla bisogna amarla , rispettarla, conoscerla e riconoscerla in una parola “essere artisti”.

 

D:C’è invece un segreto per arrivare al vero successo oggi?cosa consiglia ai giovani artisti di talento?

 

R:Ripeto, se un’artista mira solo al successo facile ed a tutti i costi sarà sempre un’artista vulnerabile. Ritengo che per un’artista l’integrità  sia fondamentale per la valorizzazione della persona e delle qualità artistiche globali. Per arrivare al successo personale l’artista non può scendere a compromessi con la qualità della propria Arte.

 

In questo contesto l’Agente si deve assumere una grande responsabilità, una responsabilità culturale, quella  di spingere i giovani artisti verso la strada del merito sfatando una volta per tutte l’ideologia dilagante del successo facile, un’ideologia distorta che ha fatto dimenticare che il vero successo artistico e  personale si ottiene perseguendo la strada del merito si alimenta con lo studio, la costanza, la professionalità e l’esperienza. Non mi stancherò mai di ripetere che il talento da solo non basta.

 

VIP AGENT ENRIQUE LUIS SARDI BRAD PITT ANGELINA JOLIED:Cosa ha segnato per lei la sua ultima lunga esperienza ad Hollywood?

 

R:Sicuramente l’esperienza più significativa e produttiva della mia carriera. Ritengo che Hollywood sia più uno stato emotivo che una località giografica, è senz’altro un luogo dove si può riuscire a concretizzare obbiettivi anche molto ambiziosi, sempre se sostenuti da impegno, professionalità e grandi potenzialità. Come è noto ad Hollywood ho stretto una collaborazione lavorativa  con la CAA di New York e di Los Angeles e tra gli altri lavori, ho chiuso un mandato di rappresentanza esclusiva con la più grande actor coach di Hollywood , Ivana Chubbuck l’insegnate di recitazioni di alcune delle più grandi star hollywoodiane che grazie a lei sono state consacrate agli Oscar, come Halle Berry che ricordiamo, durante la cerimonia di premiazione, in diretta mondiale, ringraziare fra le lacrime Ivana Chubbuck per averle permesso di vincere l’Oscar, e poi Charlize Theron, James Franco, Brad Pitt e tante altre star di Hollywood. Per me è un onore essere la sua Agente e sopratutto essere legata a lei da amicizia, stima e ammirazione reciproca.

 

D:Sappiamo che ad Hollywood ha seguito le esclusive Master Class tenute personalmente dalla Chubbuck per noti attori di Hollywood, che si sottopongono a dure selezioni per essere ammessi alle sue classi ed apprendere la sua sorprendente e rivoluzionaria tecnica attoriale. La stessa Chubbuck nell’intervista rilsciata a sky durante il suo soggiorno in Italia, parla di come un’Agente italiana, Patrizia de Santis, sia riuscita ad apprendere la  sua tecnica perfettamente e riportarla con sorprendente talento e bravura in scene recitate interamente in inglese, sia durante le Master Class ad Hollywood che al Centro Sperimentale di Cinematografia a Roma. Pensa di tornare a fare l’attrice?

 

R: Ho ringraziato di cuore Ivana per le belle parole che in numerose occasioni ed interviste ha speso sul mio conto. Ho sempre pensato di essere una brava attrice, so di avere del talento innato ed una predisposizione naturale, lo studio, le accademie ed ora l’apprendimento della ‘Tecnica Chubbuck’, a dir poco miracolosa, hanno fatto il resto. Tornare oggi a fare l’attrice? Molto tempo fa ho fatto la mia scelta, ho sentito che recitare non mi bastava ed ho deciso di passare oltre. L’esperienza ad Hollywood è stata una divertente parentesi.

 

D:Una personalità poliedrica, la sua, che non finisce mai di stupire,una seconda laurea in Lettere conseguita con il lungo ed impegnativo percorso richiesto dal vecchio ordinamento e con la votazione finale di 110 e lode ed onori accademici, svariati  Format televisivi depositati, molteplici collaborazioni a testi comici di noti artisti televisivi, ed ora, a novembre la pubblicazione del suo libro “L’Enigma della centesima novella” edito dalla Curcio Editore. Di cosa tratta?

 

R:E’ un saggio squisitamente filosofico-letterario. Prende spunto da una ricerca letteraria che sto portando avanti da dieci anni in Italia e all’estero. Tratta della storia di una confraternita segreta detta dei ‘Fedeli d’Amore’ ma sopratutto del Boccaccio e del destino del suo capolavoro ‘Il Decameron’. Nel mio libro arrivo a teorizzare la soluzione di un enigma che da più di seicento anni aleggia sulla misteriosa centesima novella del Decameron. Si tratta di un’affascinante ipotesi che stupisce per il sorprendente susseguirsi di coincidenze e per le specularità che vengono messe in luce. Un libro che appassionerà quei lettori che sono all’incessate ricerca della ‘verità’ che si nasconde dietro le cose e che hanno il coraggio di continuare a ricercarla incuranti dei piccoli e grandi rischi a cui vanno incontro.

 

D:A settembre inaugurerà l’apertura ufficiale dell’AGENZIA PATRIZIA DE SANTIS, ed a giugno ci sarà la presentazione del sito ufficiale www.agenziapatriziadesantis.it. il suo nome ormai è garanzia di credibilità e professionalità a livello internazionale, Un nuovo traguardo ed una nuova sfida. Quali saranno i nuovi obbiettivi dell’Agenzia Patrizia de Santis?

 

R:La mia Agenzia opererà fra Roma, Milano ed Hollywood con uno staff di collaboratori professionalmente specializzati, tre dei quali italo-americani, due stabili a Los Angeles ed uno a New York. Si tratta di professionisti con lunga esperienza nel settore  che già mi stanno affiancando nella realizzazione dei vari progetti in collaborazione con l’America. Alcuni di questi progetti sono stati già portati a buon fine nei mesi passati, come la chiusura di un importante Testimonial di importanza statale realizzato con la collaborazione della CAA e l’ingaggio della nota Actor Coach Ivana Chubbuck da parte di uno dei più noti attori e produttori televisivi e cinematografici italiani.

Avere uno staff di riferimento sul quale poter contare  in America è per me indispensabile e mi agevola nelle comunicazioni e nelle chiusure contrattuali, sopratutto ora che la collaborazione con la CAA mi ha aperto la possibilità di proporre e chiudere contrattualmente con le produzioni televisive, pubblicitarie e cinematografiche italiane i loro assistiti in esclusiva, star hollywoodiane del calibro di Pierce Brosnan, Bradley Cooper, Clive Owen, John Cussack, Nicholas Cage, Sarah Jessica Parker, Gerard Butler, Chris Evans, Naomi Watts, Kate Huston, Hilary Swank, Eva Mendes, Kate Winslet e R.H.Whitley e tantissime altre star. L’obbiettivo principale della mia Agenzia rimane però quello di offrire, al ristrettissimo e selezionato numero di attori italiani rappresentati, la concreta opportunità e tutti gli strumenti necessari per promuovere la loro immagine ed il loro lavoro anche in America, principalmente ad Hollywood dove si sviluppano i più importanti progetti cinematografici del mondo.

DI ANTONIO VISTOCCO

Guru Italiana, Agente in esclusiva per l’Italia di Ivana Chunnuck, l’actor coach di Halle Berry, Brad Pitt e Charlize Teron.

Le migliori sigarette elettroniche online

20 Aprile 2012 Nessun commento

Richard Branson: When All News Is Good News

8 Giugno 2011 Commenti chiusi

The celebrated entrepreneur on staying in touch and keeping it real when you’re the boss.

After an entrepreneur has expanded his successful new company or a chief executive has been promoted to the corner office, he may find himself starting to lose touch with employees and customers.

Richard+Branson+Event+focus+sardi+innovationThis happens for a variety of reasons. Most executives, for example, will tend to minimize bad news in front of the CEO and emphasize only positive developments in the company. But this forces the CEO to read between the lines, and may leave employees unable to get action on an issue — all because of the fear that admitting a problem might embarrass a manager or supervisor. Instead, they learn not to ask, but work around the problem while, understandably, griping about management.

So if you find yourself losing touch, take time to find out what the staff is actually doing on a day-to-day basis. Spend at least a few hours observing operations, and if you are qualified, borrow a desk, grab a phone and lend a hand.

As you observe and work, ask yourself: What are the employees’ working conditions? Do people seem energetic and creative? And ask employees: Do you have the resources you need to do your job well? If you could, what problems would you fix? What ideas of yours has your manager followed up on?

Throughout most organizations, all supervisors need to periodically dig in and get their hands dirty. At the executive level, accessibility is key. You must ensure your staff is consistently encouraged to contact you with ideas and problems. The larger the business, the more important this is.

If you are losing touch with employees, it’s also likely that you need to work on maintaining your connection to customers. Most executives and managers tackle this second challenge partly through surveys and other tools that evaluate the customer experience, while some — myself included! — have embraced social media, keeping clients updated through Facebook, Twitter, YouTube and other channels.

This column, which I have been writing for just over a year, is a new channel for me. To my surprise, I have found that not only has my advice and experience been reaching aspiring entrepreneurs, but also that I, in turn, have been getting a different perspective on our operations around the world. The hundreds of e-mails I receive every week bring up a lot of questions, some new ideas and a few telling customer comments — some good, some bad.

One example, sent to me over the recent holidays, highlighted how valuable it is to get direct feedback from customers. On Dec. 18, a Virgin Atlantic flight from Kenya to London was diverted because of the heavy snow at Heathrow. The flight was forced to land in France where, thanks to strict European immigration laws, many of our Kenyan passengers were barred from leaving the airport and had to sleep on camp beds.

The uncomfortable conditions and the unfriendly welcome distressed many of our passengers. I received a number of angry e-mails from readers of this column in Kenya who were either passengers on that flight or who had heard about the ordeal. I wrote an apology that was published in The Nation in Kenya, promising we would take up the matter with the French authorities and ensure it did not happen again. The positive e-mails that followed let me know that what had threatened to become an ugly incident had been addressed by my direct intervention.

The incident underlined for me the idea that however and wherever you can, find ways to keep in touch with your employees and customers. Embrace every opportunity — you never know what you will learn!

Just remember you are not always going to hear pleasant news. But as I have mentioned before, the best managers try to catch people doing something right: Re-energize employees by showing them that change is possible and action is valued. At Virgin Active in South Africa, our health-club company, we’ve seen the value of quick follow-up via our WOW awards, which publish employees’ new ideas on the company intranet and in staff newsletters. The best ideas are celebrated at our awards ceremonies. When Virgin Active employees expressed a desire to gain experience at other branches, we set up a staff exchange program. Seven employees are now working in our European operations; and a related project has resulted in our developing an enhanced pack of information for new employees that has helped to engender greater loyalty right from the start.

KTM and Enrique Luis Sardi sign a new innovation contract

16 Maggio 2011 Commenti chiusi

New concepts and innovative products are sign of a healthy and rich company.

The Austrian motorcycle manufacturer searched for a new innovation team with fresh ideas for their products and Sardi Innovation team is ready to satisfy that need again.

Enrique Luis Sardi and his team are used to work with major names, such as Guinness, Porsche, Tornos and recently added a new big name to their list, KTM.

On modern business, the massive migration to China is not as profitable as anyone could think, and KTM knows it very well. Modern companies such as RedBull, Pepsi, Apple and KTM realized that the real business are where unique products are, and companies like SARDI are specially shaped for fulfilling their need.

Two major silicon wafers production facilities shut down in Japan, report

15 Maggio 2011 Nessun commento

According to research firm, IHS iSuppli, two major facilities, which accounts a quarter of the global production of silicon wafers, have halted production as officials try to measure the damage caused by the devastating earthquake that hit the country this month.

IHS iSuppli reported on Monday that Shin-Etsu Chemical Co. Ltd. has stopped production at its Shirakawa facility and MEMC Electronic Materials Inc. has halted manufacturing at its Utsunomiya plant. The two units produce as much as 25 per cent of the silicon wafers used in making semiconductors.

The Shun-Etsu facility, which produces 300-mm wafers used mainly in the manufacturing of memory devices alone accounts for 20% of the world’s wafer production, while the MEMC plant accounts for 5%.

Shin-Etsu has confirmed that the plan has been closed as engineers are finding it difficult to inspect the facility for damages due to the aftershocks following the March 11 earthquake measuring 9 in the richter scale. “At present, it is still unclear how long it takes to restore such damaged facilities and equipments,” the company said in a statement.

It is not known till when the facilities will remain closed, but a longer halt could seriously affect the global supply chain and have a huge negative impact on the industry, according to the research firm.

Lamborghini looking forward for new deals in India

14 Maggio 2011 Nessun commento

“We are currently speaking to a few parties and we haven’t appointed anyone as yet”. But he did confirm that Mumbai was indeed on their radar. ‘Yes, we are looking at Mumbai for our second dealership for India. We will make an announcement to that effect in the coming months”, said Stephan Winkelman, President of Automobili Lamborghini after the rumors that the Lamborghini is in the process of appointing a second dealer for India.

Mumbai, city that has strong influence on the Indian economy, is expected to host the second showroom for the company. Earlier, the website, bsmotoring. com, has reported about the proposal and some other news published a report regarding the appointment of Auto Hangar as the Mumbai dealer for Lamborghini.

The Lamborghini is a renowned company for the manufacturing of the Gallardo and Aventador supercars. The company has launched the Aventador globally that replaces the Murcielago. The 691 bhp supercar can even accelerate from 0-100 kph in 2.9 seconds and reach a highest speed of 350 kph. It is sold for Rs 3.85 crore in India. Further, The Aventador confirmed the benefits of the advanced electronic ESP technology.

Tata Housing Plans To Introduce Affordable Homes In 4 Cities

13 Maggio 2011 Nessun commento

Tata Housing Development Co. announced that it would set up ‘Subh Grah’ projects in about four cities that comprises Chennai, Bangalore, Ahmedabad and Mumbai during the existing financial year to meet up the low-cost housing requirements of individuals.

The Tata Group company is also eyeing to make entry in the global markets via the public-private partnership (PPP) model.

Tata Housing Managing Director and CEO Brotin Banerjee stated, “So far, we have developed three affordable housing projects that have been successful. In 2011-12, we will be doing four such new projects. There is huge demand for low cost housing, particularly in metros and State capitals, which we can meet in partnership with the government. If the government provides us land, we can deliver smart-value homes and low-cost projects to meet housing needs of people.”

Tata Housing, which also introduced the luxury housing project Primanti in Gurgaon, including 1,100 units, stated that during 2011-12, it would make an investment of Rs. 1,000 crore towards formulating land bank and another Rs
2,000 crore towards construction.

“Last year, we did around 9,000 homes while this fiscal we plan to double this. We will launch 8-10 new projects this year…we are also looking at two new lines of business related to land development,” he said.

Especially, Tata Housing is developing at more than 100% CAGR (compound annual growth rate) for the last three years.

Referring to the real estate company’s projected worldwide foray, Mr. Banerjee said, “We are looking for partners to enter into two countries in the SAARC region through the PPP model. Our focus will be affordable housing projects to meet shortage of housing.”

Monic Anan

True Stories Behind Car Company Logos

4 Ottobre 2010 Commenti chiusi

NEWS – AUTONEWS

Did a wallpaper pattern in a Paris hotel room inspire the famous Chevrolet Bowtie emblem? Does the blue and white BMW roundel really symbolize a propeller and sky? And was the Porsche logo first sketched on a napkin in a New York City restaurant? In the world of automobile logos, truth can be stranger than fiction—though a good story can go a long way toward embellishing a brand’s corporate identity.

From Ferrari’s Prancing Horse to Cadillac’s crest, automobile logos appear on everything from steering wheel hubs to giant billboards, and even the lapel pins on the suits of company executives. This kind of flexibility is one of the design elements needed for an effective and strong logo, says Jack Gernsheimer, Creative Director of Partners Design Inc. and author of Designing Logos: The Process of Creating Symbols that Endure.

With over 40 years of advertising experience and more than 500 logos to his credit, Mr. Gernsheimer believes it’s essential to look long-term and to keep things simple when designing a logo. “Not getting too trendy with the type or color” is vital, he says. “When you design a logo, ideally it should endure for decades.” For many automakers, the roots of their logos stretch back over a century and contain enough symbolism and intrigue to fill a Dan Brown novel.

Automotive Pioneers

Tragedy plays a role in a popular myth surrounding the famous intertwined double-R logo of British luxury automaker Rolls-Royce. Rolls Royce LogoThe company’s founders, Sir Henry Royce and Charles Stewart Rolls, originally used red lettering for the emblem that combined the first initial of their last names. Legend has it the color was changed, from red to black, in a mark of respect after the death of Sir Henry Royce in 1933. In reality, black lettering was simply considered more becoming of a prestigious luxury car. The timing of the color change was pure chance.

Rolls Royce’s second iconic emblem, the Spirit of Ecstasy hood ornament, is linked to a similarly tragic (but in this case, entirely true) tale. Designed by Charles Sykes in 1911, the model for the emblem was Miss Eleanor Thornton, the personal secretary of John Scott Montagu, the 2nd Baron Montagu of Beaulieu and friend of company co-founder Charles Stewart Rolls. In 1915, Miss Thornton died at sea while traveling to India. Yet for almost 100 years her likeness has graced every Spirit of Ecstasy.

The origins of some automotive logos begin even before the dawn of the automobile. TheMercedes-Benz three-pointed star is commonly known to symbolize the use of the company’s engines on land, sea and air. But the star first appeared on a personal note written in 1872 from company founder, Gottlieb Daimler, to his wife. Mr. Daimler used a three-pointed star to mark the location of his family’s new home in the town of Deutz, Germany. His sons adapted the emblem as the Mercedes-Benz logo from 1910 onward.

Ferrari Logo

One of the best known emblems of all time, Ferrari’s Prancing Horse first appeared on warplanes flown by Francesco Baracca, an aviator and hero of World War I. In 1923, Enzo Ferrari met Francesco’s parents after a race, where they suggested Ferrari use their son’s prancing horse badge on his race cars—both for good luck, and as an homage to Francesco, who died before the war ended. A yellow background was added (it’s the official color of Enzo Ferrari’s hometown of Modena, Italy) and the horse’s tail was redesigned to point upward.

BMW Logo

In the case of BMW, myth (and savvy marketing) has fooled generations into linking the company’s logo with an aviation theme. “A German advertising agency in the 1920s produced an ad that showed the [BMW] roundel against the spinning propeller of an airplane to reflect the company’s origins as an aircraft engine manufacturer,” says Dave Buchko, company spokesman for BMW North America. “That, it seems now, turns out to be urban myth.” While it’s true that BMW manufactured airplane engines, the blue and white logo represented the colors of the Bavarian flag, not a stylized propeller and sky.

American Ingenuity

Chevrolet Logo

Had it not been for a talkative spouse, the Chevy Bowtie emblem could have claimed one the strangest design origins. Louis Chevrolet said the famous emblem was inspired by a wallpaper pattern in his hotel room during a visit to Paris in 1908. The story would have been considered fact, had it not been for Mr. Chevrolet’s wife. She later said her husband had seen an advertisement featuring a similarly shaped logo in a Sunday supplement. Eye-catching design—and careful evolution—is a theme found in many American car company logos.

The Cadillac crest is the coat of arms of French military commander and explorer, Antoine de la Mothe Cadillac, who founded Detroit in 1701. Simplified and streamlined over the years, the basic style remains intact. “It’s so distinctive, you don’t want to give that away,” says Anne Marie Webb, Design Manager for GM’s Global Brand Identity. When updating one of GM’s brand logos, Webb says she always considers elements “that made it recognizable and strong.” Even then, cultural differences must be considered. The Buick Tri-Shield emblem is monochromatic in every country except China, where the logo maintains red, blue and grey coloring. “They felt [color] had a more premium feel,” explains Webb.

Changing times can also bring big changes in a logo. For more than 80 years, Chrysler has used a wide range of badges featuring ribbon seals, or ribbon seals with wings. But in 1962, Chrysler Chairman Lynn Townsend wanted a more modern and less fussy corporate logo. According to Chrysler’s archives, out of approximately 700 designs, Townsend selected the Pentastar. Many assumed the design symbolized the five divisions of the company (circa the early 1960s). It didn’t; the design simply looked good.

Lawyers, Latin and Luck

Audi Logo

Some car company logos owe their existence to legalities and economies of scale. In 1909, having left the company bearing his name, August Horch established a second automobile company in Zwickau, Germany. But with his name already in use, Horch had a serious problem. He couldn’t legally name his new company after himself. However, when translated into Latin, “Horch”—which means “hark”—became the lawyer-friendly “Audi.” The four interlinked Audi rings came about in 1932, when four struggling automakers joined together under the corporate banner of Auto Union. These companies included Audi, DKW, Wanderer and, ironically, the original Horch.

Volvo also has Latin roots. Meaning “I roll,” the name was taken from a brand of ball bearings before it was applied to the Swedish automaker in 1924. The Volvo logo is the Roman symbol for iron—symbolizing a warrior’s shield and spear. The diagonal streak across the grille was originally only a mounting point for the badge, but is now “almost as much a brand ID as our iron symbol,” says Daniel Johnston, Product Communications Manager at Volvo Cars North America.

Good luck—and an easier to pronounce name—played a role in the creation of the Toyotanameplate in 1936. In the book Toyota: A History of the First 50 Years, company founder Kiichiro Toyoda “ran a contest for suggestions for a new Toyoda logo. There were over 20,000 entries. The winning entry consisted of katakana characters in a design that imparted a sense of speed… “Toyoda” became “Toyota” because as a design it was esthetically superior and because the number of strokes needed to write it was eight, which in Japan is a felicitous number, suggestive of increasing prosperity.”

Statues, Stars, and Smart Cars

Maserati Logo

Inspiration for a name and logo can come from careful consumer research, legal loopholes or, in some cases, by looking at the surrounding environment. TheMaserati brothers took inspiration for their company’s trident logo from the statue of Neptune in the central square of Bologna, Italy, where Maserati was originally headquartered. The trident with Maserati script below was sketched by Mario, an artist, who also happened to be the only Maserati brother never actively involved in the design or engineering of cars.

Inspiration for the Subaru name literally came from the heavens—or more precisely, the Japanese name of a star cluster in the Taurus constellation. Six of the stars are visible to the naked eye and—in keeping with corporate identity—this matches the six companies which combined to form Fuji Heavy Industries, Subaru’s parent company. The Hyundai name has an even simpler explanation. In Korean it means “modern,” while the company’s logo is a stylized “H” that also represents two people, the company and customer, shaking hands.

The Smart name seems to speak for itself, no translation needed. It actually happens to be an acronym of Swatch (the Swiss watch company that was a partner during the early stages of the company), Mercedes (the brand’s current custodian), and “Art.” The company’s logo signifies compact, with a “C,” and forward thinking with an arrow emblem.

Plot Twists

Porsche Logo

When it comes to the origin of an iconic logo, the same car company can sometimes have two variations of the same story. That holds true with Porsche, and the truth behind the German sports car manufacturer’s eye-catching emblem. According to a spokesperson with Porsche Cars North America, an extremely influential automobile distributor, Max Hoffman, met with Ferry Porsche in a New York City restaurant in 1951. The discussion moved on to Hoffman’s belief that Porsche needed a powerful logo, something distinctive and elegant. A rough sketch was made then and there, on a dinner napkin.

Yet the story from Porsche Germany differs from this colorful explanation. Max Hoffman did ask Ferry Porsche for a logo, but the emblem was designed by Porsche engineer Franz Xaver Reimspiess—and most definitely not sketched on a napkin somewhere in Manhattan. Does it matter who is right or wrong? Probably not.

A tall tale never hurts, especially when it involves two companies known for building some of the most exotic cars in the world. Car enthusiasts love to stoke the rivalry between Lamborghini and Ferrari, even down to the minutiae of the Lamborghini logo. The design of the gold and black emblem was led by company founder Ferruccio Lamborghini, and the bull located in the center stands for his astrological sign (Taurus). Legend has it that Mr. Lamborghini purposefully copied the Ferrari shield, then reversed that company’s yellow and black color scheme to prod the ego of Enzo Ferrari.

With the key protagonists having passed away, there is probably no way to know for certain how much of this is true. “To our knowledge, this is just a rumor,” said a spokesperson for Automobili Lamborghini S.p.A. “The only way to confirm would have been to ask Mr. Lamborghini himself.”

Nick Kurczewski

Il Sole 24 Ore – Daniela Bertazzoni e il Grand Hotel et de Milan, L’amore per gli alberghi è il destino di famiglia.

22 Settembre 2010 Commenti chiusi

NEWS

Daniela Bertazzoni e il Grand Hotel et de Milan, È l’unica a Milano a gestire in proprio un hotel di lusso, insieme alle figlie.

Ha fatto di tutto per sfuggire al suo destino. Non c’è riuscita. Ma non sembra troppo dispiaciuta. Anzi. Daniela Bertazzoni nasce durante la guerra in una camera dell’albergo dei nonni, a Salsomaggiore, da una vera dinastia di albergatori. Ma di lavorare con il padre Manlio, che tra tante diverse strutture alla fine degli anni Sessanta aveva assunto anche la gestione del Grand Hotel et de Milan, non ci pensava proprio. Fece la crocerossina all’Istituto dei tumori di Milano, poi se ne andò in Perù dove aprì una boutique di successo. Tornata in Italia lavorò nella pubblicità, dove conobbe un grande fotografo di moda, Rocco Mancino, da cui ebbe tra figlie (Alissia e le gemelle Olivia e Sara, due di loro già lavorano in albergo, la terza è una ballerina). Con la nascita della prima figlia cercò un lavoro part time e … lo trovò solo dal padre, al Milan, come lo chiamano in famiglia.

Daniela Bertazzoni è l’unica manager a Milano a gestire in proprio un hotel di lusso, insieme alle figlie, Alissia Mancino e Sarah Mancino.

Oggi questo albergo è diventato la sua casa, ed è l’unico 5 stelle a Milano rimasto a gestione familiare. Cosa significa far funzionare un grande albergo da soli? “Significa avere coraggio e molta forza di volontà – risponde Daniela Bertazzoni – ma anche un grande amore. Non far parte di una catena è un grosso problema: se perdi in una città non puoi compensare con un’altra, avere un brand conosciuto in tutto il mondo o poter fare gli  acquisti in comune è un enorme vantaggio. Ma nessuna catena ha l’amore che ho io per questo albergo. Certo – aggiunge – la crisi recente ha reso la vita più difficile per tutti, ha costretto a ridurre i prezzi, almeno in alcuni periodi dell’anno, ma ha anche messo in luce certe qualità umane. L’anno scorso il calo dei ricavi è stato per noi intorno al 20-25 %, come tutti gli alberghi di lusso a Milano (alcuni sono arrivati a perdere anche il 30%). Noi abbiamo azzerato i nostri emolumenti, e il direttore amministrativo si è autoridotto lo stipendio! Penso che Milano sia in ginocchio, la moda si è ridotta a pochi giorni, l’aeroporto non funziona: eppure continuano ad aprire nuovi alberghi a 4 o 5 stelle in centro. Non so chi li riempirà.”

Il “Milan” per la moda è stato un grande trampolino di lancio: dagli anni ’70 il grande albergo di Via Manzoni, a due passi dalla Scala e da Via Montenapoleone, divenne il centro nevralgico della settimana della moda, le suite erano affittate come show room, anche il vecchio ascensore Stigler, fermo al piano terreno perché non funzionava più (ora è stato riattivato), era usato per esporre gli accessori. Ferrè fece la sua prima sfilata nei saloni di questo hotel, e come lui tanti altri stilisti debuttanti. Fino a quando, la Fiera di Milano, che organizzava “Milano vende moda”, minacciò di fare causa (non si potevano affittare le stanze per esposizioni) e Daniela rinunciò a proseguire. Non solo, chiuse il Milan per ristrutturarlo.

“L’albergo era in condizioni terribili, dividemmo la spesa a metà con i proprietari dell’immobile e per la prima volta fui costretta a indebitarmi (metà della ristrutturazione ce la siamo pagata con la moda)”. Venne fatto un lavoro filologico di recupero e ripristino delle architetture e degli arredi originali. Il risultato fu ottimo.

E così arrivò il bis. Daniela Bertazzoni, donna piena di energia e con grande spirito imprenditoriale (il dna di famiglia non si era proprio cancellato) decise di fare un altro passo e realizzare uno dei suoi sogni: un albergo tutto suo, immobile copreso. Trovato il posto, in Via San Raffaele, nel centro di Milano, e l’architetto, Vincenzo De Cotiis, che è anche stilista per il marchio Haute, (“difficilissimo da gestire, bisognava lasciarlo volare per conto suo”) è nato lo Straf (crasi di San Raffaele), un hotel di design, diversissimo dal Milan. “Quando sono andata dal superdirettore della banca per farmi dare un finanziamento stavo per mettermi i pantaloni, mi sembrava più efficace. Poi mi sono detta: no. E mi sono vestita in gonna. Mi ha chiesto quali erano le garanzie: gli ho risposto “Sono io”. È andato tutto bene” racconta Daniela Bertazzoni.

A gestire lo Straf è andata la figlia Sara. La maggiore, Alissia, lavora al Milan. Ora a Daniela resta un altro sogno da realizzare: riaprire il vecchio albergo dei nonni a Salsomaggiore, chiuso da più di vent’anni. Ci riuscirà, la sua passione per questo lavoro è vincente.

Cristina Jucker

URI NEWS – Mussie Hailu Recognized as Top 73 VTP on the world

17 Agosto 2010 Commenti chiusi

NEWS

Mussie Hailu, URI’s Regional Coordinator for Africa and chair of the Interfaith Peace-building Initiative CC in Addis Ababa, Ethiopia, has been honored as one of the world’s top 73 most talented people. Joining such luminaries as Paul Hawkin and Muhammad Yunus on a list put together by the Very Talented Person (VTP) Foundation, Mr. Hailu was recognized in the “Gift to the World” category as “an international advocate fighting worldwide for right human relationship, reconciliation and dialogue, environmental protection and volunteerism.”

As a leader in URI, IPI and his many other roles, Mr. Hailu has indeed worked tirelessly for peace, interfaith understanding, international cooperation and global citizenship, as well as to promote the Golden Rule as a guiding principle for life. Through his efforts, organizations in more than 65 countries have adopted the Golden Rule Day, and he is lobbying for its adoption by the United Nations. The annual VTP awards were created by the Venezuelan/Spanish Inventor and Entrepreneur Enrique Luis Sardi to “spotlight worldwide positive actions and talents,” and “imprint real, honest and excellent role models on the young generation.”

Click on the Very Talented Person Official site to see the full list of awardees.

VTP Creating role models for next generations

16 Agosto 2010 Commenti chiusi

NEWS

We all hope that children have good, strong role models who possess the kind of qualities that make our sons and daughters want to be (and become) better people. While there is some variation in every parent’s definition of what it means to be a good person, the following 7 characteristics of a positive role model remain constant.

(1) Model positive choice-making: Little eyes are watching and little ears are listening. When it comes to being a role model, you must be aware that the choices you make don’t only impact you but also the children who regard you as their superhero. Someday, they will be in the same predicament and think to themselves, “What did s/he do when s/he was in the same situation?” When you are a role model it’s not enough to tell your charges the best choices to make. You must put them into action yourself.

(2) Think out loud: When you have a tough choice to make, allow the children to see how you work through the problem, weight the pros and cons, and come to a decision. The process of making a good decision is a skill. A good role model will not only show a child which decision is best, but also how they to come to that conclusion. That way, the child will be able to follow that reasoning when they are in a similar situation.

(3) Apologize and admit mistakes: Nobody’s perfect. When you make a bad choice, let those who are watching and learning from you know that you made a mistake and how you plan to correct it. This will help them to understand that (a) everyone makes mistakes; (b) it’s not the end of the world; (c) you can make it right; and (d) you should take responsibility for it as soon as possible. By apologizing, admitting your mistake, and repairing the damage, you will be demonstrating an important yet often overlooked part of being a role model. (This point began some great conversation on parents and role models in the comments below and here.)

Top 73 annual world list of 2009 great role models

(4) Follow through: We all want children to stick with their commitments and follow through with their promises. However, as adults, we get busy, distracted, and sometimes, a bit lazy. To be a good role model, we must demonstrate stick-to-itiveness and self discipline. That means; (a) be on time; (b) finish what you started; (c) don’t quit; (d) keep your word; and (e) don’t back off when things get challenging. When role models follow through with their goals, it teaches children that it can be done and helps them adopt an “if s/he can do it, so can I” attitude.

(5) Show respect: You may be driven, successful, and smart but whether you choose to show respect or not speaks volumes about the type of attitude it takes to make it in life. We always tell children to “treat others the way we want to be treated” and yet, may not subscribe to that axiom ourselves. Do you step on others to get ahead? Do you take your spouse, friends, or colleagues for granted?Do you show gratitude or attitude when others help you? In this case, it’s often the little things you do that make the biggest difference in how children perceive how to succeed in business and relationships.

(6) Be well rounded: While we don’t want to spread ourselves too thin, it’s important to show children that we can be more than just one thing. Great role models aren’t just “parents” or “teachers.” They’re people who show curiosities and have varied interests. They’re great learners and challenge themselves to get out of their comfort zones. You may be a father who’s also a student of the martial arts, a great chef, a good sportsman, and a treasured friend. You may be a mother who’s a gifted dancer, a solid rock climber, a celebrated singer, and a curious photographer. When children see that their role models can be many things, they will learn that they don’t need to pigeon-hole themselves in order to be successful.

(7) Demonstrate confidence in who you are: Whatever you choose to do with your life, be proud of the person you’ve become and continue to become. It may have been a long road and you may have experienced bumps along the way, but it’s the responsibility of a role model to commemorate the lessons learned, the strength we’ve amassed, and the character they’ve developed. We can always get better, however, in order for children to celebrate who they are, their role models need to show that confidence doesn’t start “5 pounds from now,” “2 more wins on top of this one,” or “1 more possession than I have today.” We must continue to strive while being happy with how far we’ve come at the same time.

While it may seem like a great deal of pressure to be a positive role model; nobody is expecting you to be superhuman. We certainly wouldn’t expect that behavior from the children who are looking to us for answers and guidance—nor would we want them to expect that kind of flawless behavior from themselves or others. You can only do your best. And, if you mess up today, you can always refer back to tip #3 and try again tomorrow. Good role models earn multiple chances from the children who believe in them and know they can do anything if they simply put their mind to it.

For more information visit  one of the most intelligent non-profit foundation in the world.

Il mondo sta cambiando, nascono i VTP Awards.

1 Agosto 2010 Commenti chiusi

NEWS

Nascono così i V.T.P. Awards, ovvero l’onorificenza dei Very Talented Person, scienziati, artisti, creativi, persone che vivono con passione valori positivi di conoscenza, cultura e spirito di sacrificio alla ricerca di nuove idee, soluzioni ed attività in grado di migliorare il benessere non solo economico ma spirituale, ecologico, sociale e culturale dell’umanità moderna. Considerata una delle organizzazioni con più potenziale al mondo, i VTP Awards rende onore, da voce, immagine e spazio a queste persone.

Il logo VTP rappresenta un pedone per evidenziare come, nella scacchiera della vita, si puo diventare chiunque indifferentemente quale sia il punto di partenza.

L’organizzazione ha creato una struttura di visibilità per celebrare la grandiosità delle loro azioni, pensieri ed idee e, soprattutto, avvicinarli ai giovani e alla collettività nel suo insieme, affinché si generino valori positivi di ispirazione, modelli da imitare e da condividere, tutti elementi positivi che contribuiscono alla crescita non solo tecnologica, economica del mondo ma ad un suo miglioramento in termini di qualità della vita e di convivenza civile.

E’ diventato necessario reagire alla diffusione di modelli negativi, superficiali e legati alla sola immagine estetica. Occorre riaffermare la dignità del Talento, ovvero di persone che dedicano la vita alla ricerca di opportunità di benessere e di bellezza a beneficio della collettività e non per il proprio arricchimento personale senza tener conto degli effetti positivi o negativi che le proprie azioni possono generare sul resto dell’umanità con cui interagisce.  Dalla nostra redazione, i VTP Awards hanno tutto il nostro appoggio.

C. Ragno

For more information visit  one of the most intelligent non-profit foundation in the world.

Arredare il proprio ufficio con vere opere d’arte non è mai stato così semplice e veloce.

14 Luglio 2010 Commenti chiusi

PRESS RELEASE

Carlo Moschella

ArredARTI affitta esclusivamente opere d’arte originali realizzate con diverse tecniche.

Seleziona artisti provenienti da diverse regioni del mondo e mette a disposizione di tutti le loro opere, affinchè l’arte contemporanea possa essere ammirata anche al di fuori di gallerie e musei.

La metodologia è molto semplice, una volta scelte le opere, il tuo ufficio sarà arredato entro 15-30 giorni in base alla disponibilità.
Basterà un sopralluogo per capire dove collocare i quadri.
L’allestimento avverrà durante la preparazione della prima mostra e Il cambio di ogni esposizione successiva richiederà circa 30 minuti.

Erika Riehle

Per avere tutto questo ecco cosa devi fare:
– Per prima cosa vai sul sito ufficiale e visita le pagine degli artisti.
– Potrai così capire quali di loro rispecchiano il tuo gusto.
– A seconda delle dimensioni del tuo ufficio potrai scegliere tra SMALL (circa 60mq), MEDIUM(circa 100mq) e LARGE (adatto per show room o grandi aziende).*
– Ora contatta un nostro commerciale inviando una email a info@arredarti.com e lascia un tuo recapito telefonico.
Sarai presto richiamato e ti verranno date tutte le informazioni.

Ogni mese riceverai direttamente nel tuo ufficio nuove opere d’arte che sapranno conferire un aspetto dinamico e distintivo della tua attività.

* SMALL, MEDIUM e LARGE sono le opzioni a tua disposizione.
Ogni mese per 4 mesi (SMALL), 8 mesi (MEDIUM) o 12 mesi (LARGE) ArredARTI cambia le opere presenti nel tuo ufficio e rinnova integralmente l’arredamento.
Scopri i vantaggi della nostra offerta.

For more information visit arredARTI

GIOIA – FASHION NEWS – TENETELI D'OCCHIO – DARIO BIGLINO, AVARO FIGLIO –

11 Luglio 2010 Commenti chiusi

NEWS – HQ GRAPHICS

TENETELI D’OCCHIO.

Sono giovani, hanno fiuto per la moda e grinta da vendere. Sono i nuovi fashion designer.

Con un abito così una moderna Cenerentola non perderebbe di certo le scarpette. Avaro Figlio, marchio milanese nato nel 2007, mescola l’allure parigina alla classe del Made in Italy in un insolito pret-à-couture, tra alta moda e pret-à-porter. Abiti impalpabili, bustier gioiello e drappeggi di chiffon per neoprincipesse rock.

Designer ed imprenditori emergenti

Impreditori emergenti, Dario Biglino.

Remember to visit the Avaro Figlio Official site.

CULTURE – Il sogno VTP

7 Luglio 2010 Commenti chiusi

NEWS

“E’ meglio inseguire mille sogni o realizzarne uno solo?” recita il sottotitolo di “Samsara”, film mai assurto agli onori della cronaca ma molto nutriente per l’anima e i neuroni. Samsara, il mondo della relatività e del caos, il mondo in cui molti di noi, figli del terzo millennio, affogano inconsapevoli e disorientati. Molti… ma non tutti. Non i “V.T.P.”, ad esempio. Chi sono i VTP? Very Talented Person, individui dotati di qualità, inventiva e tenacia straordinarie. Uomini e donne infaticabili che, in ogni angolo del mondo e accomunati da una buona dose di principi etici, investono il proprio genio per realizzare un “solo sogno”: concepire o scoprire qualcosa che renda un servizio ai propri simili. Medicina, finanza, ecologia, imprenditoria o arti applicate? In qualunque settore operi il nostro VTP, le sue ipertrofiche anse cerebrali producono senza posa, nel nobile intento di salvaguardare il pianeta nonché la salute, la dignità e il diritto alla felicità di ogni uomo. Una razza nobile e determinata dunque, quella dei VTP, una progenie di menti sopraffine cui il mondo moderno deve molto. Almeno un riconoscimento internazionale come il “VTP Award”, ideato e promosso allo scopo di onorarne e divulgarne le conquiste, indipendentemente da sesso, età, razza, status sociale o nazionalità.

Marcello B.

For more information visit  Very Talented Person Official Website.

Ceylan Insel Milano on Hello Magazine Turkey.

6 Luglio 2010 Commenti chiusi



Emerging artist Ceylan Insel has participated to the fashion event “Kombinezon” in Suada, Istanbul.Her two new collections of  tunics and Kaftans “By Sunset” and “By Sunshine” from her brand “Ceylan Insel Milano” were introduced for fashion lovers.

For more info visit www.ceylaninsel.com

ビジネスワールド社 BUSINESS WORLD CORPORATION – "…3 Cool companies…"

6 Luglio 2010 Commenti chiusi

NEWS

TIPS FROM THE WORLD.

We are happy to introduce you another 3 cool companies around the world.

sardi-innovation-logo

WORLDWIDE – Sardi Innovation:

At the cutting-edge of entrepreneurial innovation, Sardi is the multi-award-winning firm that businesses turn to for success in developing unique products that strengthen and consolidate their brand image. Clients such as Guinness, Pirelli, Lavazza, Avio International Group, and McK Aviation have recognized the ability of Sardi Innovation to create real impact in the marketplace. For more information, please visit: www.sardi-innovation.com

comvertlogo

ITALY – Comvert:

Founded in Milan in 1994 by four skateboarders, Comvert conceives, produces, and distributes gear and clothing for skateboarders and snowboarders under the brand Bastard. Comvert also distributes the brand Electric in Italy. To view Comvert’s quality lines of product, please visit: www.comvert.com

rhinologo

USA – Rhinoceros

Rhinoceros provides the tools to accurately model your designs ready for rendering, animation, drafting, engineering, analysis, and manufacturing. Rhino can create, edit, analyze, and translate NURBS curves, surfaces, and solids in Windows, without limits on complexity, degree, or size.  To see the many diverse products designed with this affordable 3D tool, and to download a free evaluation version, please visit: www.rhino3D.com

OBLEO USA – ITALIAN INNOVATORS DESIGN A MULTI-TOOL FOR THE WAVES, SLOPES AND STREETS.

6 Luglio 2010 Commenti chiusi

NEWS – GRAPHIC SOURCE

“Snowboarding is very popular on the Alps,” says Max Bonassi     snowboard designer at the Milan-based Comvert. “The main difference between Europe and the U.S. is the consistency of the snow. Here we mostly ride on hard pack. Rarely do we get real powder you see in America.”

Comvert has carved out its own path with Bastard, a brand that offers a line of gear specifically designed for Italian conditions. “We produce boards with a longer effective edge, and a bit stiffer than average boards,” he says. “The result is a very fast ride.”

Although the snow might vary across the globe, snowboarding fashionis universal. Boarders on the slopes of Torino go for the same styles as their counterparts in Breckenridge. Since the Comvert released its first board designs in 1994, the Bastard label has steadily grown to include a full catalog of outerwear, street wear, and accessories.

Since its beginnings, snowboarding counter-culture has always traded style influences with the sport’s rebellious half-cousins, skateboarding and surfing. Boarding enthusiasts often change between the sports according to the season, a fact confirmed by a visit to Comvert’s offices. Comvert recently constructed an indoor skate bowl in their headquarters, so employees could skate on their lunch hour.

Comvert enlisted the help of another Milanese firm, Sardi Innovation, to produce a new accessory for Bastard’s new line. CEO and founder, Enrique Luis Sardi    , seized on this idea that snowboarders hit the slopes in the winter, surfed in the summer, and skated to work. This persistent crossover inspired Sardi to devise an all-in-one tool designed for all three sports.

Party animal: The many instruments in Bastard's RHINO pocket snow/snow boarding and surfing tool fold up into the shape of a Rhinoceros.
Party animal: The many instruments in Bastard’s RHINO pocket tool fold up into the shape of a Rhinoceros.

The Clash of Rhinos

Sardi’s idea was a pocket-sized multi-tool that would combine ten mechanical devices for use in snowboarding, skateboarding and surfing. Other sports pocket tools existed, Sardi explains, but their looks were utilitarian rather than phat. To give character to the tool, the Sardi team looked to a bit of zoomorphism:

“We actually considered 60 different animals based on sketches,” says Sardi. The design team settled on the Rhinoceros, giving the guiding principle behind the shapes as well as the product name, the Bastard RHINO Multi-tool. “Once we had the animal idea, the whole design naturally came together. And let’s face it, if you want to make the coolest tool, the Rhino is definitely one of the coolest animals.”

At that point, Sardi designers had already engineered the functional metal tool shapes in the 3D surface modeler coincidentally called Rhinoceros. Sardi says the modeling platform was ideal for Comvert’s tool project, as it is for many of his other high-concept designs. Comvert designers (as another coincidence) used the same application to model their snowboarding products and to engineer the curves of its wooden frame skate park.

rhino-03cmyk

The NURBS-based environment allowed the team to play with the tool concept on screen, arrange the metal parts into different positions, and define the encasing animal form with smoothly arching curves.

“Its horns, front feet, and back feet are three different open-end wrenches,” explains Sardi. “On its mouth, you plug in the four interchangeable multi-screwdrivers it stores in its stomach, which also contains an ice-or-wax spatula. Its throat opens up to the surf wax comb. Its tail is the keyring clip.” In keeping with the boarder lifestyle, the RHINO’s ears make for a handy beer bottle opener.

“From the business concept to the final design product, the project came together in no time at all,” says Sardi. Ordering the parts into production also went smoothly. The Sardi team could easily export the separate parts for different kinds of production (injected Nylon PA 6.6 copolymer for the casing or 316 stainless steel for the tool heads). Prototypes were made to preview the product with Comvert and its retail buyers.

“When we sent the design to rapid prototyping, it was ready,” says Bonassi. There was no doubt or redesign. We didn’t even make a single change in the Rhino model. The same prototype files were used in final production.”

Changing Geography

The Bastard RHINO is now released through Comvert retail partners through Europe. The toolkit hit a sweet spot, a balance between the practical needs of the sports and the fashion sense of the audience. And the audience for the product is now bigger, mainly because, as Bonassi points out, the tool can hang in shops year round.

wire-rhinocmyk

“We haven’t done any kind of advertising at all, and still the response just gets better everyday,” he says. “We’re seeing not only magazine and design book features about it, but also hearing about cool stories from customers using their RHINO.”

“The multi-tool even made the ADI DESIGN INDEX of the 150 best Italian-designed products in the world.”

As the RHINO gains momentum around the Alps and Mediterranean, it soon may be migrating to the Rockies and California beaches. “Now it’s available in the online stores and the Bastard web site. We are currently studying worldwide store distribution that will take it to North America very soon.”

Sardi is also proud of the recognition, and views the project as an instance of high-minded design turning a simple mechanical idea into a marketing breakthrough.

“The key to success,” says Sardi, “is to keep on innovating non-stop. That’s were the real business is. When the competitors try to copy, you are ready to launch a wholly new product and leave them the wake.”

By Alex Dickey and Brett Duesing

For more info remember to visit www.sardi-innovation.com and www.comvert.com

EL UNIVERSAL – 99 Venezolanos mas influyentes en el mundo

5 Luglio 2010 Commenti chiusi

AWARD NEWS –  GRAPHIC SOURCE

Enrique Luis Sardi, el innovador.
Descendiente directo del Libertador, este caraqueño ha hecho de su ingenio el principal instrumento de negocios.

Podría ganarse la vida perfectamente como modelo o actor de televisión, pinta no le falta a este joven empresario venezolano residente en Milán, pero a Enrique Luis Sardi eso le tiene sin cuidado, un caudal de ideas en constante fermento en su cabeza han hecho que sus proyectos arrasen con los primeros premios donde quiera que concursen, logrando hacer de la “innovación” en cualquier campo una  exitosa profesión.

Inventor y empresario Enrique Luis Sardi

Pertenece a la familia del Libertador (su abuela paterna es descendiente directa de María Antonia Bolívar), nació en Caracas el 12 de febrero de 1977, estudió Diseño Industrial en el Politécnico de Milán, trabajó como freelance y en 2004 dio el salto diseñando para Wandfluh Automotive de Porsche, en Suiza, el interior del famoso carro, allí abre su compañía Sardi Innovation. El diseño, la computación, las matemáticas, la mecánica, la creatividad artística son algunas de sus herramientas de trabajo, pero a él no le gusta identificarse con ninguna en particular y prefiere definirse como un “innovador de estrategias para generar negocios”, tan simple como eso. Pero de simple no tiene nada, sus explicaciones se desarrollan y multiplican, entrelazándose y alargándose al infinito.

No podía ser de otra manera, inventó proyectos para “generar negocios” en sectores tan variados como helicópteros, lámparas, herramientas, guitarras eléctricas, alimentos, escenografías y hasta ropa, sólo para mencionar algunos. Cuando sus servicios son solicitados, el trabajo de Sardi consiste en -previa formación de una sociedad con el clienteH- observar minuciosamente el mercado en cuestión para captar “dónde está el hueco”, estudiar puntos fuertes y débiles de un determinado producto y precisar el nicho donde se pueda llenar ese espacio al que otros no han llegado,clara la meta, pensar en las “innovaciones” necesarias para alcanzarla.

Y así, observando y pensando, este pequeño genio creó el Swisscopter (SC1-Twin), un helicóptero liviano con doble motor, que en una sola presentación vendió 600 ejemplares sobrepasando la capacidad de la empresa para producirlos; el Rhino Multitool, un llavero que es una verdadera caja de herramientas en miniatura; una tacita de café comestible para Lavazza (todos premiados) y, la más reciente, New Crazy Color, el nuevo sistema de “shop fitting” para crear vidrieras o cualquier tipo de escenografías. Ha recibido encargos -realizados o en curso- de empresas como Pirelli, Yahoo, Ericsson, Nokia, MCK Aviation, Superga Sportwear, Swiss Motors, Carat (piezas de motos), Biffi (iluminación), Esacrom (equipos médicos), entre otras.

Y tantos premios: Región Lombardía, como mejor joven empresario, entre 50 candidatos europeos por dos años consecutivos (2006-2007); Cámara de Comercio y Provincia de Milano, como compañía más innovadora con récord de puntuación en toda la historia del premio; 5 premios diferentes para la taza de Lavazza; SMAU Design, Comunication and Technology Award a un teclado sin teclas (con rayos infrarrojos) para telecajeros; y los dos más recientes, el Association of Design Index para el Swisscopter y el Rhino.

¿El secreto del éxito? “Concentración!”. Es obvio que posee una enorme capacidad de trabajo y no tiene tiempo libre “porque hay demasiadas cosas por hacer”, pero debe ser cuestión de selectividad pues fue el único venezolano invitado al famoso Baile de los Dogi en el Carnaval de Venecia.

Eliana Loza Schiano

For more information visit www.sardi.com

arredARTI, Un modo intelligente di arredare – L’imprenditore si racconta

6 Gennaio 2010 Commenti chiusi

PRESS RELEASE

arredARTI, Quadri Moderni in affitto per l’ufficio.

arredARTI nasce dall’idea di un regalo di compleanno.
Un semplice pensiero che si è rivelato fin da subito un’ottimo servizio a cui hanno già aderito numerose imprese.

Ecco come è andata.
Mi sono accorto spesso, dice l’imprenditore Daniele Gulizia,  di come molte case di amici e tantissimi uffici abbiano le pareti completamente bianche e anonime.
Al contrario, lavorando con gli artisti, il mio studio è sempre stato carico di colori e la continua alternanza di nuovi quadri ha più volte suscitato l’invidia di amici e clienti.

Quadri moderni, vendita quadri, affitto arte, dipinti noleggio, Arte ufficio.Lo scorso anno un amico, durante la sua cena di compleanno, mi raccontò di essersi trasferito da poco nel suo nuovo studio e così iniziò a descrivere di come il pavimento fosse in resina, i tavoli in vetro satinato, lampade di design italiano, insomma tutto scelto con gran cura.
Tuttavia l’ambiente risultava ancora anonimo, sembrava la bella fotografia di una rivista.

Aveva quindi pensato di comprare qualche quadro, perchè i poster o le riproduzioni commerciali sminuivano l’immagine ricreata per la sua professione.
Mi disse di aver trovato alcuni quadri da un’artista amico della moglie ma i prezzi erano superiori al suo budget.

Fin qui nulla di nuovo, gli feci.
Infatti tutte le aziende per arredare gli uffici avvertono lo stesso problema: il prezzo di un’immagine esclusiva è troppo elevato, quindi preferiscono mantenere le pareti bianche, anche se asettiche, piuttosto di utilizzare certe stampe su tela “dipinte a mano” che possono avere tutti.

Bhe, la mia idea arrivò come un fulmine a ciel sereno:
decisi di fargli un regalo che non avevo mai fatto prima.
Gli prestai per qualche mese alcuni quadri che erano in attesa di essere allestiti per una mostra.
Quando arrivò il giorno della restituzione mi disse che le opere avevano riscosso un gran successso sui suoi clienti e mi sorprese parecchio quando mi chiese se avessi potuto sotituirle con delle altre.

All’inizio esitai ma di fronte a un canone ragionevole, fu facile mettersi subito d’accordo!

Da più di un anno ormai il suo studio cambia aspetto ogni mese e i suoi clienti credono che il mio amico sia diventato un imprenditore, collezionista e per giunta inattacabile dalla crisi!

For more info go to www.arredarti.blogspot.com

Italiasquisita – Al Roof Garden Restaurant di Bergamo la Stella Michelin

23 Novembre 2009 Commenti chiusi

NEWS

Ha gli occhi visibilmente lucidi Fabrizio Ferrari, classe 1965, Executive Chef del Roof Garden Restaurant e da oggi uno dei nuovi “stellati” della Guida Michelin.
Un traguardo che allo splendido ristorante di Piazza Repubblica, nel centro di Bergamo e con vista mozzafiato su Città Alta, era stato annunciato l’anno scorso, quando sin dalla prima segnalazione sulla Rossa il Roof Garden si era subito aggiudicato la promessa della stella.
Un traguardo che oggi è stato accolto con grande, grandissima gioia ed entusiasmo da Ferrari e da tutta la brigata.

Fabrizio in questo momento importante vuole soprattutto ringraziare la sua brigata di giovani cuochi ed aiutanti, a coloro che hanno “navigato” con lui: – “La barca che abbiamo pilotato lungo tutto questo anno, ha cambiato molti nomi… Si e’ chiamata passione, perseveranza, talvolta anche delusione.  E’ a questo splendido equipaggio che rivolgo la mia riconoscenza, l’immensa fiducia e tutto il mio rispetto. Non li cambierei per nulla, nemmeno per un intero firmamento. Ma un immenso grazie devo rivolgerlo anche alla proprietà del Roof Garden che mi hanno accordato piena fiducia e totale autonomia”.

Fabrizio Ferrari

Fabrizio Ferrari, classe 1965, arriva al Roof Garden nel 2007, a un anno appena dalla sua inaugurazione. Terminati gli studi tecnico-alberghieri, Ferrari debutta come chef partie alla Zelata di Bereguardo, raggiungendo poi a Parigi Angelo Paracucchi, chef del Ristorante Carpaccio dell’Hotel Royal Monceau. Rientrato in Italia, lavora per il Wall Street e l’Antica Trattoria Goi di Pavia.
Dal 1994 al 2001 è chef executive del gruppo Maestro di Casa: sono gli anni delle collaborazioni con Antonello Colonna, Gianfranco Vissani e Pierre Gagnaire.
Amante della cucina tecnologica – è stato allievo di George Pralus, maestro del sottovuoto – Fabrizio Ferrari ha creato una linea di piatti ispirata alla “cucina metropolitana”, l’arte culinaria che raccoglie le esperienze di tutte le identità cittadine, abbattendo ogni frontiera, da quelle nazionali a quelle concettuali. Se nel 2008 Ferrari ha ricevuto la sua prima segnalazione dalla Guida Rossa, oggi è il giorno in cui ha ottenuto la prima Stella Michelin.

FRANCESCA SIRONI

MANUALE INTRODUTTIVO ALLA COMUNICAZIONE AZIENDALE – Libro didattico della Università Sapienza di Roma –

8 Settembre 2009 Commenti chiusi

NEWS – EDITION

“…La massima e più innovativa espressione dell’approccio poli-sensualistico alla comunicazione del food & beverage è rappresentata dal food design. Oltre che come oggetto organolettico, esso interpreta solitamente il cibo come oggetto ergonomico, nell’intento di migliorare l’interazione con il consumatore mentre questo lo maneggia e lo ingerisce. La forma dell’alimento è intesa come tutt’altro che secondaria rispetto al sapore. Oltre che essere gradevole alla vista, questo deve racchiudere in sè un contenuto di servizio, volto a rendere il consumo agevole e divertente insieme. Da quando il food design è stato identificato come vera e propria disciplinacreativa si è diffusa la sua utilizzazione a fini promo-comunicazionali.

Un esempio assai felice è quello della tazzina di biscotto per espresso commissionata da Lavazza al designer Enrique Luis Sardi. Fatta in biscotto e ricoperta all’interno da una glassa impermeabile e resistente al calore, la tazzina può essere mangiata dopo avere bevuto il caffè.

Il principio  ispiratore dell’idea è quello di incorporare nell’allimento la funzione dell’utensile, facendone il medium del suo stesso consumo. Il fruitore stabilisce con il cibo un contatto nello stesso atto visivo e tattile, oltre gustativo e olfattivo. ..”

Francesco Perrone

Libro sulla comunicazione e la strategy design Enrique Luis Sardi

For more information visit www.sardi-innovation.com

To buy the book visit www.francoangeli.it

EL UNIVERSAL – CUANDO LA PASION POR LA INNOVACION SE CONVIERTE EN UN NEGOCIO INTERNACIONAL

6 Luglio 2005 Commenti chiusi

NEWS –  HQ GRAPHIC SOURCE

Enrique Luis Sardi, profesion: inventor.

Un joven venezolano triunfa en Milán ganando un conocido premio para incentivar a las mejores nuevas empresas creativas.

Enrique Luis Sardi es inteligente, curioso y perseverante, lleno de ideas y sueños que se hacen realidad. No es una simple frase, su trabajo consiste realmente en realizar innovaciones. Es lo que podría llamarse un “inventor”. Llegó al norte italiano para estudiar en el Instituto Politécnico de Milán, quiso quedarse aquí, pasó trabajo, pero ganó un premio que le dará el impulso final que necesitaba. Su firma, Sardi Invention and Design, fue seleccionada entre centenares de nuevas empresas creativas como la de mayor futuro.

Todo comenzó cuando era niño, su pasión por los caballos, heredada de su padre, una gran curiosidad y cierta flojera infantil lo pusieron a pensar cómo hacer para dar de comer al mismo tiempo a todos los animales de la caballeriza del Country Club sin tener que  estar yendo y viniendo constantemente para llevar una carga a cada uno.

A pesar de sus cinco años de edad, Enrique Luis se las ingenió para inventar un comedero circular colocado en el centro y desde entonces no ha cesado de trabajar en distintas ideas relacionadas con temas tan variados como café, lámparas, motocicletas, mouses o equipos deportivos, para facilitar la vida sin descuidar la estética en el diseño.

Hoy en día, a sus escasos 27 años, Enrique Luis luego de las habituales dificultades iniciales en estos tiempos de insólita emigración “al revés”, ya está comenzando a ver los jugosos frutos de sus esfuerzos al ganar el Premio Bando, que se otorga cada dos años a las nuevas empresas creativas con mayores posibilidades de triunfar, que, además del prestigio, permite el respaldo de la poderosa Cámara de Comercio de Milán y una cantidad en metálico para mejorar la joven empresa.

Entre sus invenciones más llamativas está la cookie cup, un encargo de la marca italiana de café Lavazza, que se plasmó en una tacita hecha de bizcocho que permite tomarse su cafecito y comerse la dulce tacita como acompañante. También están el sistema de proyección progresiva para automóviles, solicitada por Wandfluh Automotive (Porsche), una motocicleta liviana y de diseño moderno con especiales sistemas de seguridad para la empresa Mototrek, las lámparas Auyantepuy, Splash e Isabel (en honor a su madre) para la empresa de iluminación Biffi Luce, y varios tipos de mouses para computadoras, ideados para no cansar las manos.

Su gran inspirador y primer maestro es su padre, el arquitecto venezolano Enrique Sardi, con quien empezó a trabajar a los ocho años. También su madre es arquitecta y por ambos no puede disimular una enorme admiración. Sus estudios en Caracas, Estados Unidos e Italia le dieron las armas para dominar ingeniería, computación y diseño, además de varios idiomas. Su amor por la equitación sigue presente en la vida profesional y al crear su empresa en Milán identificó el logo con un caballo del ajedrez, juego que también lo apasiona.

Entrevistarlo no es fácil, las miles de ideas que galopan por su mente se amontonan en la conversación y hay que tener paciencia para concentrarlo en la respuesta que se busca, pero todo lo que dice es muy interesante, se podría hablar horas con él porque los temas no se agotan.

Una sonrisa con una pizca de vergüenza se dibuja en su cara delgada con ojos almendrados que recuerdan vagamente a Keanu Reaves, cuando le dicen “el pequeño Leonardo”, pero Enrique Luis no es precisamente un hombre del Renacimiento, nació en 1977 por lo que es un genio futurista.

Creador nato

Nuestro lema es “Fábrica de invenciones”, es decir, estudio, invención y diseño de productos de alto consumo. Se constituye una empresa que se ocupará sobre todo de idear, estudiar, proyectar y realizar productos innovadores para el consumo masivo, realizables con tecnologías existentes o desarrolladas conjuntamente con los clientes.

Eliana Loza Schiano

For more information visit www.sardi-innovation.com

V.T.P., Puede una palabra cambiar el mundo? – Very Talented Person

7 Aprile 2001 Commenti chiusi

NEWS

Puede cambiar el mundo una palabra?

En este mundo que corre desenfrenadamente, debes estar familiarizado con las nuevas palabras o estas fuera de juego.

Cada adjetivo involucra un grupo de cualidades, acciones y comportamientos implícitos che caracterizan y delimitan cada sujeto. Crear un nuevo adjetivo es casi como crear un camino bien delineado o un mindset con características que delimitan esa nueva carretera de comportamiento.

Aca te presentamos una:

Cuando se habla, por ejemplo, de una persona honesta esta implícito que es una persona que actúa rectamente, respeta por la propiedad ajena, que sabe ser juez y parte al mismo tiempo,  etc;  de la misma manera desde hace algunos años Enrique Luis Sardi invento V.T.P. (Very Talented Person), un nuevo acrónimo y adjetivo para diferenciar a todas aquellos talentos llenos de cultura, luchadores, llenos de valores, estudiosos, honorables que están tomando grandes acciones por el mundo.

En el diferenciar a los V.T.P. del resto de la sociedad, se está automáticamente  honorando por meritocracia, estimulando la sociedad trabajadora, y de consecuencia, creando un mindset positivo en la sociedad de hoy, que tanto necesita de modelos llenos de valores y cultura.

Nosotros no sabemos a ciencia cierta si logrará cambiar el mundo, pero estamos seguros que el acrónimo VTP tiene todas las prerrogativas para hacerlo  con elegancia.

For more information visit  www.VeryTalentedPerson.org